Reel Review Mom

When Pluribus first premiered on Apple TV+, I wrote about how excited I was to watch a show built on such an original premise. It felt fresh, ambitious, and a little risky—which is exactly the kind of series that grabs my attention. Now that I’ve watched the entire first season, I can say with 100% assurance: I absolutely love this show.

Pluribus wastes no time pulling you into its world. The concept is bold and thought-provoking, exploring identity, connection, and the idea that reality may not be as singular—or as stable—as we like to believe. What starts as an intriguing idea quickly evolves into a layered, emotionally resonant story that keeps building episode after episode.

The writing is smart and confident, trusting the audience to keep up without overexplaining. The plot unfolds in a way that feels deliberate and rewarding, with twists that actually make sense (a rare and beautiful thing). By the time the season wraps, the stakes feel real, personal, and massive all at once.

What really sold me, though, is how grounded the show remains despite its high-concept nature. The characters feel human and relatable, anchoring the more cerebral elements of the story. It’s the kind of series that sticks with you after the credits roll, prompting you to think, rewatch certain scenes, and maybe spiral just a little.

By the finale, any initial curiosity I had was completely replaced by genuine excitement and emotional investment. Pluribus didn’t just meet expectations—it exceeded them.

Season one left me hungry for more, and I genuinely cannot wait for season 2. If Apple TV+ knows what it’s doing (and lately, it really does), this show has the potential to become something truly special.

Some shows are pure comfort watches. Others are deliciously chaotic. Palm Royale on Apple TV+ somehow manages to be both—and I absolutely love it. In preparation for season 2, I rewatched all of season 1 in December, and honestly? It only made me love the show even more.

Set in the glitzy, sun-soaked world of 1960s Palm Beach high society, Palm Royale follows Maxine Simmons (played to perfection by Kristin Wiig), a woman with big dreams, bigger ambition, and absolutely no intention of staying on the outside looking in. Wiig is phenomenal here—funny, vulnerable, unhinged in the best way, and surprisingly heartfelt. This role lets her flex muscles we don’t always get to see, and she completely owns it.

And yes—Ricky Martin. You heard me right. He’s genuinely fantastic. His performance adds depth, warmth, and emotional grounding to the series, and he fits seamlessly into this glamorous, cutthroat world. If you’re going in skeptical, trust me: he works, and he works well.

What really makes Palm Royale shine is its tone. It’s colorful, campy, and sharp, but there’s real substance beneath the sequins and martinis. The writing balances satire with sincerity, poking fun at wealth, power, and social climbing while still giving its characters room to be human.

Rewatching season 1 reminded me just how layered and entertaining this show is. Every episode is dripping in style—costumes, sets, music—all while telling a story that’s oddly relatable if you’ve ever wanted to belong somewhere that didn’t quite want you back.

If you haven’t watched Palm Royale yet, now is the perfect time to dive in before season 2 arrives. And if you have? A rewatch might be in order.

💬 Are you excited for season 2? Drop your thoughts in the comments, and don’t forget to share this post on social media—because this show is too fabulous not to talk about.

Just when I thought I couldn’t love this show more, Fallout on Amazon Prime pulls me right back into the wasteland—this time with the start of season 2 and a location that longtime fans will instantly recognize: New Vegas. If you know the game, you know how big of a deal that is…

Before jumping into season 2, I did a full rewatch of season 1 back in December to refresh my memory, and after watching the first two episodes of the new season, I can confidently say I’m once again completely in love with this series. Hooked. Invested. Not going anywhere.

Let’s get this out of the way: my love for Bethesda’s Fallout games absolutely plays a role here. The games nailed the storytelling, character development, dark humor, and originality—and somehow, the TV series does the exact same thing. That is no small feat. Adaptations like this usually stumble. Fallout does not. Especially if you loved the games, this show delivers in all the ways that matter.

The shift toward New Vegas feels exciting, dangerous, and perfectly on-brand. The tone is spot-on: brutal, bizarre, and weirdly heartfelt. The world-building remains insanely good, blending retro-futurism with absolute chaos in a way that feels authentic to the source material without being fan-servicey.

And the performances? Outstanding. Walter Goggins as The Ghoul continues to be a standout—gritty, unpredictable, and endlessly compelling. Every time he’s on screen, the show levels up. Ella Purnell as Lucy, the former Vault 33 resident, remains the emotional anchor of the series. Watching her evolve and adapt to the horrors of the wasteland is one of the most satisfying arcs in the show.

Two episodes into season 2, and Fallout hasn’t missed a beat. It respects the games, expands the universe, and tells a damn good story all on its own.

💬 Are you watching season 2 yet? Especially my fellow Fallout gamers—I want to hear your thoughts. Drop a comment below and share this post on social media, because this is one adaptation that absolutely does not disappoint.

It’s not easy to stick the landing after years of hype, fan theories, and sky-high expectations—but Stranger Things absolutely nailed it with its concluding fifth season. I loved season 5, and without hesitation, I can say it’s one of my favorite seasons of the entire series.

From the very first episode, season 5 hits the ground running. The stakes are higher, the tone is darker, and everything feels intentional—like the show knew exactly where it was going and wasn’t afraid to go there. This is Stranger Things fully unleashed, embracing its horror roots while delivering emotional payoff that feels earned.

The acting is superb across the board. These kids (who are very much not kids anymore) have grown into phenomenal actors, and it shows. Every performance feels raw, urgent, and grounded—even when things get completely unhinged in the best way possible. The chemistry between the core cast remains one of the show’s greatest strengths, and season 5 leans into that hard.

And let’s talk about the plot, monsters, and chaos—because wow. The story is tight, relentless, and surprisingly emotional. The monsters are terrifying, creative, and downright badass, reminding us why this show became such a cultural phenomenon in the first place. The Upside Down has never felt more dangerous, or more fully realized.

What really makes season 5 special is how confidently it wraps things up. It doesn’t over-explain. It doesn’t play it safe. It delivers spectacle, heart, horror, and closure—without losing the weird, nostalgic soul that made us fall in love with Hawkins to begin with.

This finale felt like a reward for sticking with the series from day one. Bold, emotional, scary, and yes—badass.

💬 Did season 5 live up to the hype for you? Drop your thoughts in the comments, and don’t forget to share this post on social media—because Stranger Things deserves to go out on a high note, and this season absolutely did.

There are shows that hook you slowly… and then there’s Bad Sisters on Apple TV+, which grabbed me immediately and refused to let go. I’ve watched season one only, and honestly? It was so good that I’m still not convinced a second season could possibly live up to its awesomeness—which is exactly why I haven’t watched it yet.

Created by and starring the endlessly talented Sharon Horgan, Bad Sisters is a darkly funny, deliciously twisted series centered on the Garvey sisters—five fiercely loyal women bound together by love, trauma, and one absolutely terrible man. That man would be John Paul Williams, played with chilling precision by Claes Bang, who somehow manages to be smug, menacing, and loathsome all at once. Truly elite TV villain behavior.

Season one unfolds as both a mystery and a character study, jumping between timelines as the sisters become increasingly entangled in a situation that feels equal parts tragic and oddly cathartic. The writing is sharp, the humor is pitch-black, and the emotional beats hit harder than expected. Each sister is fully realized, flawed, and relatable in her own way, making their bond the emotional core of the show.

What really sets Bad Sisters apart is its balance. It’s dark without being depressing, funny without undercutting the seriousness, and tense without becoming exhausting. By the time season one wrapped, the story felt complete—satisfying, impactful, and perfectly self-contained.

Which brings me to season two. Yes, it exists. Yes, I know people are watching it. But from the outside looking in, it just doesn’t seem like it could capture the same magic. Season one set the bar high, and sometimes it’s okay to leave a great thing exactly where it is.

If you’ve watched both seasons, I want to hear your thoughts—convince me I’m wrong.

💬 Drop a comment below, and don’t forget to share this post on social media with fellow fans of dark comedies that absolutely nail their first season.

I’ll be honest right out of the gate: based on the description alone, I wasn’t convinced The Last Frontier on Apple TV+ was going to be my thing. On paper, it sounded a little too rugged, a little too slow-burn, and possibly too serious for my mood at the time. But curiosity won out… and once I hit play, I was completely hooked.

Set against the harsh and breathtaking landscapes of the far north, The Last Frontier leans into isolation, survival, and the complicated relationships that form when people are pushed to their limits. The series follows a group of characters living and working on the edge of civilization, where nature is unforgiving, secrets are buried deep, and every choice carries real consequences.

What immediately grabbed me was the atmosphere. This show knows how to use its setting as a character. The sweeping scenery is stunning, but it’s also oppressive in a way that constantly reminds you how small and vulnerable these people really are. There’s a quiet tension simmering beneath the surface of every episode, and before you realize it, you’re fully invested.

The performances across the board are strong and grounded, giving the story emotional weight without veering into melodrama. The writing takes its time—never rushing, never spoon-feeding—and that patience pays off. Each episode builds naturally on the last, layering in mystery, moral dilemmas, and moments that linger longer than expected.

What surprised me most is how quickly this series pulled me in despite my initial hesitation. The Last Frontier is proof that sometimes the shows we least expect to love end up being the most satisfying. It’s gritty, thoughtful, and quietly addictive.

If you’ve been on the fence about this one like I was, consider this your sign to give it a shot.

💬 Have you watched The Last Frontier? Let me know what you thought in the comments, and don’t forget to share this post on social media—especially with friends who love discovering shows that fly a little under the radar.

If you’re in the mood for thoughtful, character-driven science fiction—and you’re emotionally prepared for a little disappointment—let me introduce you to Night Sky on Amazon Prime. This is one of those shows that sneaks up on you, pulls you in with subtlety and soul… and then leaves you wondering why on earth it wasn’t renewed for a second season.

Starring the always-excellent Sissy Spacek and J.K. Simmons, Night Sky centers on Irene and Franklin York, a long-married couple living a quiet life in rural Illinois. That is, until you discover they’ve been hiding a massive secret in their backyard: a mysterious underground chamber that leads to a breathtaking, seemingly abandoned planet light-years away. Casual. Totally normal.

What makes Night Sky stand out isn’t flashy sci-fi spectacle—it’s the intimacy. Spacek and Simmons bring real warmth, weariness, humor, and heartbreak to their performances, grounding the cosmic mystery in something deeply human. Their marriage feels lived-in, real, and refreshingly mature, which is a rare gift in this genre.

As the story expands, we’re introduced to new characters and larger questions about who built the chamber, who else knows about it, and what the destination truly means. The plot slowly unfurls like a puzzle, trusting the audience to stay patient—and that patience pays off. Or rather… it would have, had the series been given the chance to continue.

And that’s the real tragedy here. Night Sky had enormous potential. The mythology was just beginning to deepen, the stakes were rising, and the emotional threads were beautifully set up for future exploration. The cancellation after one season feels premature and frustrating, especially for a show that was clearly playing the long game.

Still, Night Sky is absolutely worth watching. It’s quiet, reflective, mysterious, and deeply moving—a sci-fi story about love, loss, aging, and wonder.

If you’ve seen it, let’s commiserate. If you haven’t, go in knowing it ends too soon… and prepare to be just as disappointed as I was that we never got more.

💬 Share your thoughts in the comments, and don’t forget to spread the word on social media—because shows like this deserve better, and at the very least, to be remembered.

If you’re scrolling Amazon Prime wondering what actually deserves your time, let me gently point you toward The Night Manager—a sleek, smart, and wildly entertaining espionage thriller that somehow still feels like a hidden gem. Yes, it originally aired back in 2016, but trust me: this series has aged like a perfectly tailored tuxedo.

Based on the novel by John le Carré, The Night Manager follows Jonathan Pine (played by a devastatingly charming Tom Hiddleston), a former British soldier turned luxury hotel night manager who gets pulled into the shadowy world of international arms dealing. Pine is recruited by intelligence agent Angela Burr (a sharp and delightfully unhinged Olivia Colman, pre–The Crown superstardom) to infiltrate the inner circle of notorious arms dealer Richard Roper.

And oh, Richard Roper. Hugh Laurie delivers one of his most chilling performances here—smooth, charismatic, and quietly terrifying. He’s the kind of villain who smiles while ruining lives, all while vacationing on yachts and sipping expensive drinks. Completing this dangerously glamorous world is Elizabeth Debicki as Jed, Roper’s elegant and emotionally trapped partner, who brings surprising depth and vulnerability to the story.

What makes The Night Manager so addictive isn’t just the cat-and-mouse plot—it’s the vibe. Exotic locations. Impeccable fashion. Razor-sharp dialogue. Every episode feels polished, tense, and just indulgent enough to keep you clicking “Next Episode” at an irresponsible hour.

This is spy television for people who like their thrillers smart, stylish, and character-driven. No convoluted nonsense, no filler—just six tightly packed episodes that prove less really is more.

If you’ve already seen The Night Manager, I’d love to hear your thoughts. If you haven’t? Add it to your watchlist immediately and thank me later.

💬 Drop a comment below, and don’t forget to share this post on social media with your fellow binge-watchers—because great TV deserves to be talked about.

Every now and then, while digging through Amazon’s pay-per-view catalog, you stumble across a film that makes you stop, rent, and immediately wonder why no one is talking about it. Anniversary is exactly that kind of hidden gem. I hadn’t heard a single whisper about this movie—not a trailer, not a headline, nothing. But then I saw Diane Lane in the cast, and that was all the convincing I needed. Diane Lane doesn’t attach herself to mediocrity, so I hit “Rent” without hesitation.

Luckily, I had some Amazon Prime digital rewards saved up, so this little cinematic gamble cost me only $7—and honestly, it turned out to be one of the best spontaneous rentals I’ve made all year.

While the movie opens like a tense relationship drama, it gradually reveals itself to be something far more intriguing—a dystopian thriller hiding in plain sight. The world in Anniversary is familiar, but just skewed enough to make you uneasy, and the shift from domestic tension to societal commentary sneaks up on you in the best possible way. This isn’t a film that spoon-feeds you its ideas. In fact, the layered, slow-burn structure practically guarantees I’ll need to watch it a second time just to fully catch everything it was doing beneath the surface.

Diane Lane is, unsurprisingly, phenomenal. She brings a quiet emotional weight to every moment, grounding the film even as its broader themes begin to unfold. The supporting cast matches her intensity, creating a claustrophobic, pressure-filled atmosphere that works beautifully with the film’s intimate direction.

There are no wasted scenes, no unnecessary twists—just sharp, disciplined storytelling that grips you from the start and lingers long after the credits roll.

If you’re scrolling through Amazon searching for something genuinely worthwhile, stop right now. This hidden gem deserves your attention.


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Hey friends —

Sorry I haven’t posted in a while, but honestly, the streaming world has been a little dry lately AND life has been rough. There just hasn’t been much that grabbed me enough to write about… until now. Recently, I dove back into browsing, and I’m happy to say I’ve finally found some gems worth talking about.

First up: A Man on the Inside on Netflix, starring Ted Danson. Let me tell you — I blew through the first two seasons like it was nothing. It’s sharp, funny in all the right places, and surprisingly layered for a series I originally thought would be a lightweight weekend filler. If you’re looking for an easy but satisfying binge, this is definitely one to grab.

Then I wandered over to Amazon Prime and started rewatching Hemlock Grove — originally a Netflix series now available on Prime. Three seasons of dark, eerie, supernatural mystery wrapped in moody small-town weirdness… and of course Bill Skarsgård looking absolutely delicious while being mysterious and unsettling. It still holds up, and honestly, it’s even better than I remembered.

On top of that, I’ve been catching the latest episodes of Expedition Unknown and Expedition Files with Josh Gates. The man is adventurous, hilarious, brilliant, and yes — I admit it — unbelievably sexy. I will always show up for Josh Gates content. Every. Single. Time.🤤

Since I’m back in blog mode, I wanted to toss in a few new shows and movies that might actually be worth your queue right now:

Adolescence (Netflix) — A buzzy 2025 British mini-series about a school murder, filmed almost entirely in real time. It’s intense and getting tons of praise.

Zero Day (Netflix) — A conspiracy thriller with Robert De Niro anchoring a powerhouse ensemble. Sharp, tense, and perfect for political-drama lovers.

The Abandons (Netflix) — A gritty new Western drama that just premiered this month. Outlaws, justice, messy morality — all the fun stuff.


I hope one of my favorite shows I’ve highlighted hit the spot for you… If not, check out one of the new ones posted and let me know what you think! As for me, RN on a Saturday night, well, I’m about to rewatch The Goonies! ♥️

…… for a while, Ariana Grande……

Okay, so I’m going to put it out there that I don’t like Ariana Grande. I remember several years back she made a comment about how she didn’t like America! She then licked a donut. I cannot forget that. I’m just going to say it. I might be old but I don’t forget shit like that.

But I will say she did an amazing job with Wicked. I am going to give her proper snaps because I love her rendition of the song Popular. It literally makes me cry as well and I clap like an idiot (and sing along, lol). She does this song so well.

On a much different note, and much clearer, one of perfection, might I assert, Elphaba (played by Cynthia Enrivo) is a truly AMAZING Performer/Singer.

I will happily and can readily accept when I have been beaten by a songstress, and Cynthia Enrivo is one of them. I cry when I listen to her sing.

I cannot wait to watch Wicked the Good, which came out today in theaters. It might be a while before I can make it out to watch, but I will and I’m sure I will cry and clap like a loser in the audience. But that’s okay. I don’t care!

There’s something magical about a weekend stacked with new TV premieres—especially when streaming services finally throw us a bone and drop entire seasons at once. Yes, I’m talking about all six episodes of The Beast in Me on Netflix and Malice on Prime Video, both landing just in time for you to cancel plans you never wanted in the first place. Nothing beats the joy of not having to wait week-to-week. Give me the whole season immediately. I want to binge until I forget what daylight looks like.

The Beast in Me sets the tone with its moody, slow-burn mystery vibe—dark corners, twisted family secrets, the works. And then Malice storms in on Prime Video with its sharp, almost mischievous energy, giving thriller fans a reason to perk up and lean forward. Both series scratch very different itches, but the best part? They’re right there, six episodes each, ready for devouring like a midnight DoorDash order you know you shouldn’t have placed.

Next up: let’s talk Palm Royale, returning for Season 2 on Apple TV. Kristen Wiig is back, and honestly, I’m convinced television is simply better when she’s on it. Her comedic timing? Impeccable. Her chaotic glamour? Inspiring. Her ability to command a scene? Elite. If Season 1 was a cocktail of satire, drama, and pastel perfection, Season 2 is the top-shelf version with a twist.

And then—drumroll for my heart—Landman Season 2 arrives on Prime Video. Billy Bob Thornton returns in all his rugged, weathered, I-still-got-it glory. And yes, I’ve had a crush on him for years. Yes, it might be TMI. No, I will not be adjusting or explaining this. The man has charisma. The show has grit. I’m happy. That’s all.

For the movie lovers: Eddington premieres this weekend on Max, offering a moody, atmospheric drama worth sinking into. Meanwhile, The Running Man is back on the big screen—in theaters now. I definitely want to see it, but listen… I’m patient. I can wait for it to hit streaming like the civilized, couch-devoted human that I am.

All in all, this weekend is a buffet of bingeable goodness, long-awaited returns, movie debuts, and yes… a little Billy Bob swooning.

Happy streaming, friends. Enjoy the weekend the way it was meant to be spent—under blankets, with snacks, and with absolutely no shame.

There’s a new Danish hit on Netflix called The Asset, and let me tell you—these folks are not playing. This series is hitting on every level that American TV has somehow gone soft on. It’s tight, dark, emotionally charged, and not bogged down with unnecessary filler or convoluted plotlines that go nowhere. You know the kind—those shows that make you care about a dozen characters before you even know what the story is about. The Asset isn’t that. It’s the real deal.

Created by Samanou Acheche Sahlstrøm and Kasper Barfoed, The Asset follows Tea Lind (Clara Dessau), a cadet in Denmark’s intelligence service who’s thrown into an undercover mission that would break most seasoned agents. She’s tasked with infiltrating a criminal underworld by posing as a high-end jeweler—her cover identity giving her access to Miran (Afshin Firouzi), a major player in the drug smuggling trade. To get close, Tea befriends Ashley (Maria Cordsen), Miran’s girlfriend, and that friendship quickly becomes complicated. The more Tea becomes immersed in Ashley’s world, the more blurred the lines between loyalty, love, and duty become.

What makes The Asset shine is its precision. Six episodes, each packed with tension, emotional weight, and purpose. There’s no wasted dialogue, no pointless subplot meant to stretch the story thin. You care about Tea. You care about Ashley. The show earns your investment instead of assuming it. The writing respects your intelligence, and the stakes feel authentic—every decision Tea makes cuts a little deeper.

And audiences have noticed. Since its release in late October, The Asset has exploded on Netflix, breaking into the platform’s Global Top 10 with over 11 million views in its first week. Critics have praised its sharp direction, grounded performances, and moral intensity. It’s sleek, serious, and impossible to look away from—proof that Scandinavian TV continues to dominate the crime-thriller genre while the U.S. keeps trying to rediscover its edge.

Here’s the thing: The Asset doesn’t rely on shock value or massive explosions. Its power is in its restraint. It’s about tension, atmosphere, and consequence—about what happens when doing your job means losing yourself in the process. It’s that perfect balance of plot and character that American shows used to master.

So yes, to every American showrunner out there: take notes. This is how you build a story that grips, breathes, and matters. The Asset isn’t just another crime drama—it’s a wake-up call.

Omg, yessss, FINALLY…..

Watch Pluribus asap (Apple TV)

If you don’t have a subscription to Apple TV, get one now! The best TV series of the year has just come out and it’s amazing! PLURIBUS.

From the moment I hit “play” on the premiere of Pluribus, I knew I was watching something special. Created by Vince Gilligan (yes, that Vince Gilligan) and starring Rhea Seehorn as Carol Sturka, a bestselling yet deeply dissatisfied fantasy novelist, the show leaps off the usual sci-fi shelf into territory both bold and deeply human.

The plot: the world has been transformed by a mysterious virus (with extraterrestrial RNA origins) that renders humanity into a hyper-optimistic, hive-minded mass. Everyone is blissfully content—except Carol. Immune for reasons we’ll gradually uncover, she is, incredibly, tasked with saving the world from happiness.

What makes this so thrilling? First, the contrast: Carol’s cynicism, her anger, her messiness—seen through Rhea Seehorn’s magnetic performance—stands out as both a mirror of our doubts and a bold counterpoint to the sanitized utopia around her. Then there’s the story craft: Gilligan shifts gears into science fiction with the same precision that made his past work legendary, but here he’s exploring identity, freedom, collective joy, and what it means to be truly human.

I’m incredibly excited for Pluribus. Already, critical reaction has been stellar (it holds a 100 % approval rating at Rotten Tomatoes).  This show feels like it’s poised to be the top TV experience of the year—so fresh, so daring, so emotionally resonant. Mark my words: Pluribus is going to be the breakout series everyone talks about.

Guillermo del Toro’s Frankenstein on Netflix is exactly what you’d expect from the master of gothic emotion—dark, beautiful, and deeply human. I’ll admit, though, the opening had me questioning things. It felt eerily similar to The Terror (which, by the way, is one of my all-time favorite series), with that same brooding atmosphere and creeping sense of dread. But early on, I wasn’t sure I was even a fan of Frankenstein himself—he’s kind of an arrogant jerk, to be honest.

Fast forward to Victor Frankenstein in full mad-scientist mode, showing off his skills in what I like to call “pre-zombi-ism.” And yet, somewhere between the lightning and the horror, this film hits something deeper. Watching Frankenstein bring his creation to life—and then guide it through the most basic acts of existence—feels oddly tender. As a mom of three, those moments resonated with me. Teaching a child what water is, how to eat, how to leap across a wooden beam… that innocence and curiosity is so fleeting, and del Toro captures it perfectly. However, he does subtlety  bring to light that not everyone should be a parent…..

But where Victor fails—and where the tragedy blooms—is in love. He never gives his creation warmth, comfort, or understanding. And that’s where the movie’s psychological brilliance shines: it’s the classic nature versus nurture dilemma in motion. The creature wasn’t born a monster—he was made one through neglect. That’s what makes this story timeless, and why this version feels so powerful. This is the whole nature versus nurture theme which is central to psychology, FYI.  Is a “monster” born that way OR is he/she simply a product of their environment /upbringing. But, before I get too psychological on you, let’s go back to the movie, lol…..

Mia Goth, by the way, is hauntingly spectacular as always—beautiful, eerie, and unforgettable. I won’t spoil too much (we all know how this story ends), but trust me: while the beginning took a while to win me over, by the end I was completely hooked. Del Toro’s Frankenstein is a dark fairy tale about creation, compassion, and the monsters we make when we forget to love.

Let’s just get this out of the way — I am not a Kim Kardashian fan. Her public life is an ongoing train wreck, and I’ve never had much respect or appreciation for her brand of fame. That being said, I have to admit something I didn’t expect to write: she actually did a decent job in Hulu’s new series All Is Fair.

Created by Ryan Murphy, this new show dives into the extravagant world of elite female divorce attorneys representing Los Angeles’ wealthiest and most dysfunctional couples. Think luxury, betrayal, and perfectly tailored outfits — all dialed up to ten. The show is unapologetically over the top, with every episode dripping in glam and drama that only Murphy could conjure.

Kardashian stars alongside Glenn Close, Naomi Watts, and NeNe Leakes, forming a powerhouse trio (plus one unexpected reality star) that somehow works. Glenn Close delivers the sharp sophistication you’d expect, Naomi Watts brings emotional gravitas, and NeNe adds charisma and bite. Together, they turn what could have been pure fluff into something watchable — if not entirely believable.

Now, let’s be honest — All Is Fair isn’t breaking new ground. It’s indulgent, borderline absurd, and at times feels like Murphy decided to direct a high-end soap opera just for fun. But that’s also what makes it kind of addictive. Between the couture wardrobes, glass-walled offices, and champagne-fueled showdowns, it’s hard to look away.

Is it going to win awards? Definitely not. But is it entertaining enough to watch when you want to escape reality and roll your eyes at rich people’s chaos? Absolutely. So yeah, I’ll keep watching — and maybe if you’re bored, you should too.

Peacock’s new psychological thriller All Her Fault is one of those shows that grips you right from the start — even if the title immediately rubs me the wrong way. I mean, really — All Her Fault? When we’re talking about something as sensitive and emotionally loaded as a child abduction, that kind of phrasing feels harsh and unnecessary. It sets a tone that almost blames the victim before we even hit play. WTH, Peacock.

Now, with that out of the way, let’s talk about what does work — and there’s plenty of it. The show stars Dakota Fanning, who is absolutely magnetic, alongside a stellar cast that includes Sarah Snook (Succession) and Michael Pena. Snook plays Marissa Irvine, a mother whose life unravels when she arrives at a friend’s house to pick up her son after a playdate — only to discover that no one there has ever heard of him. What follows is a gripping mystery full of gaslighting, lies, and social paranoia.

Based on Andrea Mara’s bestselling novel, the show blends domestic drama with psychological tension, unraveling the nightmare of every parent’s worst fear. The pacing is sharp, the dialogue realistic, and the performances — especially between Fanning and Snook — feel raw and human.

That said, my obsessive eye for details couldn’t ignore one thing: the set design. The Irvine home is a fever dream of hunter green/moss-colored walls and brown-painted closets. Who designed that ⁉️ It’s like someone said, “Let’s make suburban gloom a color palette.” Fire that set designer immediately.

All in all, All Her Fault is a haunting, well-acted drama that keeps you guessing — even if the title and decor choices leave you shaking your head.

Sometimes, in the middle of all the chaos of today’s film world—explosions, endless sequels, and dark plot twists—it’s refreshing to revisit a movie that simply makes you feel good. Steven Spielberg’s The Terminal (2004), starring Tom Hanks, is exactly that kind of movie. It’s warm, human, and quietly uplifting in a way we don’t see much anymore.

Hanks plays Viktor Navorski, a man from a fictional Eastern European country who becomes stranded in JFK Airport when his homeland’s government collapses. With no valid passport and nowhere to go, Viktor is forced to live inside the terminal itself. What follows is a beautiful, funny, and surprisingly emotional story about patience, kindness, and human connection.

Tom Hanks gives one of his most heartfelt performances—gentle, resilient, and endlessly charming. Catherine Zeta-Jones adds her own grace and warmth, and Stanley Tucci plays the perfect foil as the rigid airport official trying to enforce the rules. Spielberg’s direction turns the sterile airport setting into a small, self-contained world where humor and hope thrive even under strange circumstances.

Revisiting The Terminal today feels like catching your breath in a noisy world. It reminds us that empathy still matters and that sometimes the smallest acts of decency can change everything. This is one of those rare feel-good films that doesn’t rely on clichés—it earns every smile and tear honestly.

If you haven’t seen The Terminal in a while, it’s worth rewatching. It’s the kind of movie that restores your faith in humanity—and those are always worth holding onto.

As the weekend approaches, streaming platforms are rolling out some thrilling new content that you won’t want to miss! Check out some of my favorites I anticipate will be well worth you watching…..

1. “It: Welcome to Derry”
Fans of the horror genre (including myself) will be excited for this prequel to Stephen King’s iconic “It.” Set in the eerie town of Derry, the series delves into the origins of Pennywise the Clown, exploring the dark history that led to the terrifying events we know. Premiering on HBO and HBO Max on October 26, this series promises to be a spine-chilling addition to the “It” universe, with a fresh twist and plenty of eerie moments.

2. “A House of Dynamite”
For those who love a good thriller, Kathryn Bigelow’s latest film, “A House of Dynamite,” is set to premiere on Netflix on October 24. Starring Idris Elba, this film weaves a gripping tale of espionage and intrigue, with a plot full of twists and turns. Bigelow’s signature direction ensures a suspenseful and visually stunning experience.

3. “The Conjuring: Last Rites”
Horror enthusiasts will be thrilled for this final chapter in the “Conjuring” series. Set to drop on HBO Max in late November, this installment promises to unravel the mysteries surrounding Ed and Lorraine Warren one last time. With the chilling atmosphere and spine-tingling moments that fans love, it’s a must-watch for any horror aficionado. If you don’t wanna wait to watch it free, you can rent/buy on Amazon Prime (which I did). It’s worth the money in my opinion, fyi.

4. “The Sisters Grimm”
For a touch of magic, Apple TV+ brings “The Sisters Grimm,” a whimsical series that reimagines classic fairy tale characters in a modern setting. It’s been out since early October, but it’s a perfect weekend binge for families and fans of fantasy alike.

With these fresh releases, your weekend streaming lineup is sure to be exciting and diverse! Let me know if I failed to mention anything YOU are excited to watch and feel free to like/share/comment!

Peacock’s A Friend of the Family is one of those true-crime series that makes you sit there, jaw dropped, asking yourself, “How did this actually happen?” Based on the disturbing real-life story of the Broberg family, this show captures an almost unbelievable series of events that unfolded over years — and yes, it all really happened.

What’s wild about A Friend of the Family is how perfectly it balances the unsettling with the human. The performances are stellar — Anna Paquin (love her!), Colin Hanks, and Jake Lacy bring a shocking authenticity to roles that are both heartbreaking and infuriating. The manipulation, the blind trust, and the repeated abductions are so extreme that, if it weren’t for the real case it’s based on, you’d think it was too far-fetched to be true.

This isn’t just a story about crime; it’s a story about how evil can hide behind charm, faith, and familiarity. Watching it feels like witnessing a slow-motion nightmare where no one wakes up until it’s too late. It’s disturbing, emotional, and completely engrossing — one of those shows that lingers long after the credits roll because you just can’t believe this was real life.

Let me be honest—I don’t usually love British TV shows. They’re clever, sure, but they rarely pull me in the way Ghosts (UK) did. This show is on another level. It’s hilarious, smart, weird in the best way, and it’s hands down my favorite TV series of all time. When I say I love this show, I mean it’s my comfort zone. When I’m sad, lonely, or just need a laugh, I turn it on and instantly feel better.

But let’s talk about my absolute favorite part of the show: Mary Guppy, played by the amazing Katy Wix. I am completely obsessed with her character. Mary is awkward, innocent, and so unintentionally funny—it’s impossible not to love her. There’s this warmth and oddball sincerity that Katy Wix brings to the role that makes Mary feel real, even though she’s a ghost from centuries ago. She cracks me up every single episode, and sometimes I rewatch scenes just because of her reactions.

I adore everything about this show, but Katy Wix as Mary Guppy is truly what makes it special for me. She’s the heart and soul of Ghosts (UK). The American version? It’s okay. Fun, even. But nothing compares to the charm, chemistry, and ghostly brilliance of the UK cast—especially my girl, Mary Guppy. Unfortunately, BBC canceled the UK version after season 5, so I’m stuck with the American version for now….

Also, fun fact—when I’m not binging Ghosts, I sometimes flip over to Dr. G: Medical Examiner. But Ghosts (UK) will always be my favorite.

In retrospect, those two shows being my favorites of all time might make me somewhat of a freak. But I’m okay with that. . . are you? I mean I don’t care if you are or not. I’m okay with it…… So, yayyyyyy for Mary Guppy!

I am beyond excited for Netflix’s upcoming limited series “The Monster of Florence,” premiering October 22. As someone with both a bachelor’s and a master’s degree in psychology — and a lifelong fascination with the darker corners of the human mind — this series looks like it’s going to be a must-watch for anyone who loves true crime done right.

Set against the haunting beauty of Tuscany, the show revisits one of Italy’s most disturbing real-life mysteries: a serial killer who targeted couples over nearly two decades. What grips me most isn’t just the horror of the crimes themselves, but the psychological chaos that followed — the paranoia, the endless investigations, and the way fear infected an entire community.

Director Stefano Sollima seems to have nailed that eerie balance between beauty and terror. From what I’ve seen, the visuals are stunning — shadowy countryside scenes, tense silences, and moments that make your skin crawl. But what really excites me is the show’s focus on the human side of the story — the obsession, trauma, and moral unraveling behind the case.

I’ve always said that true crime isn’t just about what people do — it’s about why they do it. And if “The Monster of Florence” can explore that psychological depth while keeping us glued to the screen, I already know it’s going to be one of my favorites this year.

That’s all. . . Well, I guess, if you wish me to go on, I shall.

This show is the bomb. If you haven’t watched it, do it.

Ted Lasso has always been that feel-good series we all needed — heartwarming, hilarious, and surprisingly emotional. Season 3 was originally meant to be the grand finale, wrapping up Ted’s story with a perfect bow. But fans weren’t ready to say goodbye, and honestly, neither was Apple TV+. Due to the show’s massive popularity, Ted Lasso is officially coming back for Season 4! This new season is rumored to take a fresh direction — with new leadership dynamics, evolved characters, and possibly less focus on Ted himself. It’s exciting to see where this next chapter of Richmond’s story will lead.

AND, not like it matters to anyone, but I have a huge crush on Jason Sudeikis and always have like for 7 or 8 or 10 years. . . Something like that, either way, it’s official crush status.

So, over the weekend I watched the movie, Shell, which just premiered on PVOD through Amazon Prime, and let me tell you — this one was a ride. I was already excited to see this movie and it satisfied because it turned out to be one of the quirkiest and most interesting horror films I’ve seen in a while! It’s got this weirdly hypnotic energy that’s both unnerving and fun — exactly the kind of “something new” I’ve been craving in the horror genre.

First off, Kate Hudson — wow. I honestly haven’t seen her in anything major lately, and this movie reminded me how good she really is when given the right role. She nails that perfect mix of vulnerability and menace that keeps you guessing. And fun fact: Cindy Crawford’s daughter, Kaia Gerber, also stars in this, and she does a great job holding her own alongside Hudson.

Now, I couldn’t help but notice some definite similarities to Demi Moore’s The Substance. Both movies dive deep into body horror and the dark side of beauty, but Shell feels more grounded, more psychological — and honestly, a bit easier to follow. The Substance was good, just a little too out there for me. If these two films were the result of some secret rivalry between movie execs, I wouldn’t be surprised (and I’d totally watch that behind-the-scenes drama too, lol).

Without spoiling anything, I will say this: toward the end, Shell gets a little cheesy and campy with the horror — but in a way that weirdly works. It definitely plays off the movie’s title, and that’s all I’m going to say.

Bottom line: Shell is stylish, strange, and absolutely worth the rental. Between Hudson’s comeback and that eerie twist, it’s one shell of a good time.

I just finished watching The Woman in Cabin 10 on Netflix, and let me tell you — this movie hooked me from the opening scene and never let go. Based on Ruth Ware’s bestselling novel, it’s a tense, beautifully shot mystery that keeps you guessing at every turn.

The story follows Lo Blacklock, a travel journalist (played brilliantly by [insert lead actress’s name if known]) who’s assigned to cover the maiden voyage of a luxury cruise ship through the icy waters of Norway. It all seems glamorous until Lo witnesses what she’s sure is a woman being thrown overboard — from the cabin next door. The only problem? Everyone insists that all passengers are accounted for.

From there, the tension ramps up fast. The claustrophobic setting of the ship adds to the suspense — there’s nowhere to run, and no one to trust. The pacing is perfect, balancing psychological unease with bursts of genuine fear. The cinematography deserves a shoutout too — sleek, cold, and hauntingly beautiful, it mirrors Lo’s unraveling state of mind.

What I really liked is that it’s not just a mystery — it’s also about perception, trauma, and believing in yourself even when everyone thinks you’re losing it. If you love smart thrillers with an edge of paranoia, The Woman in Cabin 10 is a must-watch.

I’ve watched/read many a horror story. This is not my first rodeo, as we like to say here in the South. I would like to highlight some criteria that are common to hauntings. This list is essential for your well-being. It’s not just for me… It’s for you, your family, your well-being, free of charge. Please follow, for your health (that’s a Steve Brule reference, LOL) You’re welcome. 😛

• Do not have a basement.
• Do not have an attic.
• Do not move into a house/reside in a house with other people’s crap in the basement or attic. Throw it out. Call 1-800-Got Junk. Get rid of it. Don’t risk your safety.
• Do not have multiple floors in your house. Single-story home only (for your health). If you must have multiple stories, do not have one of those creepy stair/rail climby things.
• If per chance you have a house with multiple stories, & someone calls you upstairs,  have a code word/number like ‘823’ SO, you know they’re really calling you up there and it’s not like some poltergeist instead. Change it up daily.
• Do not have more than three young children residing in your house at a time. This is important.
• Do not have a furnace.
• Do not take in old furniture that’s not yours…
• Flashlight. Batteries. Flashlight. Batteries. You see where I’m going with this sh*t?  Do it. Mantra!
• Do not take a bath in a bathtub with claw feet. Actually I’m just going to throw it out there; just don’t take a friggin’ bath. Take a shower like a regular, grown person.
• I’m sorry for this, but, do not be of the Catholic religion. I’m just going with statistics here people this is not me being discriminatory, I promise.
• Do not attempt to read Latin, out loud, especially.
• Do not allow anyone to engage in creepy music singing/playing. Do whatever you need to do to shut them the hell up! Modern music only. You know just to be safe, let’s also just say don’t play the piano.
• Have real keys and know your keys. Don’t be surprised by suspicious, weird keys from the 18th century. Let’s not do that. Let’s be modern people. Invest in modern methods to safeguard your house like Nest, biometric, fingerprint, etc.
• Do not, and I will emphasize this again, do not, have creepy freaking children’s toys such as baby dolls, weird carousels from the 1880’s, etc… Don’t friggin’ do it.
• Lock your doors.
• Tame the wild trees and branches that lean upon your house. Secure your windows.
• KNOW your neighbors. And be suspicious of them if you need to be.
• Do not rely upon a rotary phone for safety. Also, if the phone rings and you answer it, and you don’t know the person on the other end of the line and they’re creepy, do not engage in further dialogue.
• Safeguard your kitchen knives, please, dear Jesus.
• Just eliminate all closets. Use a wardrobe for some external method to store your clothes. If you must use a wardrobe, make sure it’s  not an old fashioned one; a modern one is preferred. I’ll go even as far to say as to buy one from Ikea or Rooms 2 Go. That’s safe.
• Maintain your mirrors. If they’re creepy/broken/cracked/weird, throw them out.
• Do not buy sh*t at yard sales or thrift stores, etc.
• Invest in night lights.
• Do not be a hero and go investigate weird sounds at night without a weapon and a cell phone (not landline). And just to state the obvious, why the hell would you need a landline anyway? Just don’t do that…. Get a damn cell phone, with a 5G network, and get with the program already.
• Make sure you know where the keys to your car are and that you have gas in your automobile. HAVE AN EXIT STRATEGY/PLAN, too.
• If you hear someone screaming do not run to their rescue. It’s too late for them. Safeguard the other loved ones or whatever.
• Lastly, I will reiterate the #1 safety/survival rule as mentioned in the movie Zombieland: Cardio.

I feel like this is a good starting point of what not to do, especially during this very critical period of our lives coming up upon Monday, the 13th, which in my opinion is much scarier than Friday the 13th. So, please safeguard yourselves to prevent you becoming the next horror story.

You’re welcome. 😛👻🎃🧹🧙‍♀️

We have some additions to the list (it’s a work in progress):

• Don’t have too much wood/wood paneling in your house!
• Limit the amount mirrors in your house. And they must be modern, not antique.
• Do not use laundry chutes or “dumb waiters”  in your house.

Let me start by saying this: Curdled isn’t just a movie I recently discovered — it’s been one of my favorite films for years, and I still can’t believe how underrated it is. Hardly anyone talks about it, yet it’s one of those rare gems that completely nails the psychological depth of murder, curiosity, and the strange ways people process violence.

What makes Curdled stand out to me is its unusual perspective. Instead of following a detective or a killer, the story focuses on a woman who cleans up crime scenes for a living — and she’s oddly intrigued by her work. That concept alone has always fascinated me. I’ve long been interested in the psychology behind crime scene cleanup — the mix of horror, calm, and curiosity that must come with the job. Honestly, I think there should be way more movies and shows about this line of work.

Curdled dives deep into those darker corners of human behavior with just the right balance of humor and eeriness. It’s the kind of film that sticks with you, makes you think, and somehow makes the grotesque feel poetic. It even reminds me of one of my all-time favorite nonfiction shows, “Dr. G: Medical Examiner,” because both explore the aftermath of violence — where science, empathy, and psychology collide.

For me, Curdled isn’t just a hidden gem — it’s a long-time obsession. If you love clever, psychological thrillers that aren’t afraid to get a little weird, this movie is absolutely worth revisiting.

Omg, omg, OMG…….

Okay, I am freaking out — in the best way possible — because Netflix just dropped the new true-crime documentary My Father, The BTK Killer, and it feels like it was made for me. As someone who’s spent years studying human behavior (hello, Bachelor’s and Master’s in Psychology!) and advocating for better understanding of the criminal mind, this is exactly the kind of dark, fascinating rabbit hole I love diving into…

For those unfamiliar, BTK (which stands for “Bind, Torture, Kill”) is Dennis Rader — one of the most notorious serial killers in American history. But what makes this documentary stand out isn’t just the retelling of his crimes. It’s told through the heartbreaking yet powerful perspective of his daughter, Kerri Rawson, who’s bravely sharing her story of discovery, trauma, and resilience. Netflix has really stepped up its true-crime game here — it’s raw, emotional, and incredibly well put together.

As someone obsessed with the psychology behind criminal behavior, I’m endlessly fascinated by what drives people like Rader. Was it nature? Nurture? Trauma? This has sparked a lifelong debate…. Is a serial killer born this way or were they steered in that path by their upbringing…. AND, the dual-life aspect alone — loving father by day, cold-blooded murderer by night — is something straight out of a case study, and a theme not commonly repeated by serial killers. Aside from Ted Bundy and several others…. I find myself dissecting every interview, every photo, every word, trying to piece together how a mind like his works. I’ve come to the conclusion that no one can ever really understand the human mind. We are a complex machine, fueled by memories and brief moments of chaos that define us and shape us into the people we become the legacy we leave behind. Kind of sad, really.

So yes, I’m clearing my schedule, turning off my phone, and fully locking in for this one. If you’re into true crime, psychology, or just crave a deep, well-crafted docuseries that will make you question how well we ever really know anyone — My Father, The BTK Killer is a must-watch.

Random thought….  How amazing it would have been if Jack Nicholson had played BTK in an autobiography/movie…. Oh my God!! *shivers*

Totally random post here as sporadic as me…. Just finding this out: on Netflix all 7 seasons of Nurse Jackie are available to stream on rn. SO, if you’ve never watched this series, you should definitely do it, because Edie Falco is amazing, even better than when she played in The Sopranos, in my opinion!

Okay, horror fans — the time has come! The new Conjuring movie has officially dropped to stream and purchase via Amazon Prime, and I am so tempted to splurge on this one. I’ve always had a soft spot for the Conjuring universe — the creepy atmosphere, the jump scares, the slow-burn dread that creeps under your skin. Honestly, I’d rather pay once and watch it from my couch with snacks, a blanket, and the lights turned low than deal with theater crowds, overpriced popcorn, and people checking their phones mid-scream scene.

This latest entry looks like it’s bringing back that classic supernatural tension that made the series a modern horror staple. I’m dying (pun intended) to see how they’ve expanded the Warrens’ eerie world this time around. The trailer alone gave me chills — and I swear, that music still haunts me hours later.

So what about everyone else? Are you planning to do the at-home splurge like me, or did you brave the theater already? If you saw it on the big screen, I’m dying to hear what you thought. Was it worth the hype? Or should I wait for the rental price drop?

Netflix’s brand-new series True Haunting just dropped, and honestly—it’s the perfect spooky-season binge for anyone who loves their chills with a side of “wait… could that actually happen?” Produced by James Wan (yes, the master behind The Conjuring), this five-part docuseries dives deep into real-life ghost encounters and supernatural chaos that supposedly plagued ordinary people on ordinary blocks.

Each episode mixes interviews, dramatic reenactments, and eerie sound design to pull you right into the haunting. It’s got everything: flickering lights, creaking floors, and those moments when you’re yelling at the TV, “Don’t go in there!” But what sets True Haunting apart is its emotional core. It’s not just about the ghosts—it’s about the people trying to hold their lives together while something unexplainable unravels around them.

Sure, it flirts with the usual haunted house tropes, but it does so with cinematic polish and just enough skepticism to keep things interesting. You’ll find yourself questioning what’s real long after the credits roll. Whether you’re a believer or a skeptic, True Haunting delivers a hauntingly good time that’ll make you think twice before turning off the lights.

Verdict: Stream it, but maybe not alone. 👻

It’s been quite a day, friends. First things first: our family just grew by four tiny paws! Meet Neptune—a 2-month-old ball of fluff and chaos who’s already claimed every blanket, pillow, and inch of my heart (and Abigail’s – our cat whisperer). He’s adorable, he’s fearless, and he has no concept of personal space. We are obsessed.

But, as much as I’d love to write an entire post about Neptune’s squeaky meows and acrobatic leaps, let’s get back to why you’re all here: my current TV and movie obsession. And oh boy, Netflix just delivered. Finally.

Dear streaming gods—thank you for blessing us with Monster: Ed Gein. I’m not exaggerating when I say I am beyond over the moon that they dropped all the episodes at once. None of that one-episode-a-week torture. Nope, it’s a full-on binge situation. So, if you text or call and get radio silence, please don’t send a search party. I haven’t been kidnapped; I’m just curled up on the sofa with Neptune, completely absorbed in one of the most twisted, disturbing, and fascinating true-crime stories of all time.

As someone who has both a bachelor’s and master’s degree in psychology, I have a bit of a soft spot (or maybe a clinical curiosity?) for studying the criminally insane. And Ed Gein, with all his macabre complexity, sits firmly at the top of that list. This show doesn’t just sensationalize his crimes—it digs into the psyche, the trauma, and the small-town horror that birthed one of America’s most infamous killers.

The series is haunting, immersive, and so well-acted it’ll send chills crawling down your spine. Between Neptune’s purring and the eerie soundtrack, it’s the perfect pairing of cozy and creepy.

So that’s my weekend sorted: one new kitten, one nightmarish killer, and one very content true-crime enthusiast.

Perfectly twisted 👻😆🎃😘

The first episode of Monster: Ed Gein absolutely nailed it! I’m not even exaggerating — this series hits on so many psychological levels for me that I almost don’t know where to begin. As someone with both a bachelor’s and master’s degree in psychology, I’ve always been drawn to studying criminally deficient minds, and Ed Gein has long been at the top of my list.

While my “favorites” (if that’s even the right word) have usually been BTK and the Co-Ed Killer, this series might have just dethroned them in terms of depth, accuracy, and sheer psychological fascination. The creators clearly did their research. The tone, the pacing, the flashbacks, HIS VOICE — everything feels like a case study straight out of a forensic psych textbook.

What’s truly wild is how the show manages to humanize and horrify at the same time. You’re watching a man unravel, and it’s both tragic and terrifying. Freud would lose his mind analyzing this — there’s so much buried trauma, repression, and Oedipal subtext that it practically writes its own dissertation.

And yes, there are plenty of smart nods to Norman Bates and Psycho — which, of course, was directly inspired by Gein’s real-life crimes. But the show doesn’t just reference Hitchcock; it builds on that legacy and makes it even darker and more psychologically layered. And of course how can we forget the oh, so subtle inspirations that Silence of the Lambs used from this crazy dude….

Bottom line: Monster: Ed Gein is shaping up to be a masterpiece. I’m calling it now — awards incoming. I cannot wait to see where this twisted, brilliant deep dive into the criminal mind goes next. Mean, I know where it’s going, all of us armchair investigators and crime suites know where this is going…….

“It rubs the lotion on its skin or else it gets the hose again”

This weekend feels like Christmas morning for streaming fans—there’s an almost overwhelming amount of new content landing across platforms, and I’m already planning my couch lineup. Let’s break it down.

First up, the headline grabber: The Naked Gun is back—this time with Liam Neeson stepping into Leslie Nielsen’s legendary shoes. The slapstick franchise is being reimagined for Paramount+, and honestly, I’m curious to see if Neeson leans into the absurdity or tries to keep it serious. Either way, it drops this weekend and you better believe I’ll be tuning in for the nostalgia factor alone.

On the other end of the spectrum, Amazon has some tempting—but pricey—pay-per-view premieres. Spinal Tap is back with a sequel, there’s a brand-new Downton Abbey movie, and, for cult fans, a fresh take on The Toxic Avenger. All sound great, but at $19.99 a pop? Sorry, Amazon, my wallet says “pass for now.” These are the kind of movies I’ll circle back to when the rental price comes down.

Netflix, as always, delivers variety, and for once it’s stuff I actually want to see and not some dubbed over crappy version from another country, lol. On October 1st, Netflix quietly dropped Steve, starring Cillian Murphy. And since I’d probably watch Murphy read the phone book, this one is at the top of my queue. But the real Netflix event of the week (in my humble opinion of course) arrives October 3rd: the new season of Monster. After dramatizing Dahmer, this installment dives into the disturbing true story of Ed Gein. If you’re into creepy, unsettling true-crime dramatizations, this will be the big one.

HBO Max is offering up something spooky too: Bring Her Back. The buzz says it’s dark, creepy, and the kind of horror that lingers. Perfect October viewing. Meanwhile, Apple TV+ is bringing us The Lost Bus. I don’t know why, but I have a really good feeling about this one—it looks like it’ll hit the emotional and dramatic beats hard, and I’m excited to give it a watch.

All in all, this weekend is stacked. Between horror, comedy, true crime, and heartfelt drama, there’s a little something for everyone. It’s been a long time since I’ve seen such a packed streaming lineup—and I couldn’t be happier. Bring on the popcorn and the binge-watching!

It’s almost Halloween, which means it’s officially time to get spooky! Then again, do we really ever need an excuse? Scary movies are their own kind of magic—dark, twisted, thrilling, and irresistible. But let’s be real: Halloween practically makes it mandatory. So grab your candy, dim the lights, and let’s dive into my top horror picks that never fail to deliver a good scare.
—
1. Psycho (1960, Alfred Hitchcock)

The original masterpiece of psychological horror—Norman Bates, a creepy motel, and a shower scene that forever changed the genre.

2. The Omen (1976)

A chilling classic about the devil’s child, Damien, with eerie deaths and religious dread. The Julia Stiles remake isn’t bad either.

3. Midsommar (2019)

Daylight horror at its best—rituals, grief, and cult-like community celebrations that make Sweden’s midsummer look absolutely terrifying.

4. Together (2025)

A must-see—darkly emotional and unsettling, with Allison Brie delivering a performance that mixes horror, heartbreak, and mind-bending atmosphere.

5. Weapons (2025)

Julia Garner anchors this twisted must-watch. Brutal, suspenseful, and layered with dread—though I’m even more hyped for its upcoming prequel.

6. The Conjuring Series

From ghostly hauntings to demonic possessions, these films rarely disappoint. (Though The Devil Made Me Do It was kind of weak.)

7. Annabelle Series

Possessed dolls and cursed artifacts linked to the Warrens. Creepy, unsettling, and a key part of The Conjuring universe’s lore.

8. Alien: Covenant (2017) / Prometheus (2012)

Equal parts sci-fi and horror. Cosmic terror, xenomorph nightmares, and humanity’s doomed obsession with playing god. Truly chilling space horror.

9. Rosemary’s Baby (1968) / Apartment 7A (2025)

Satanic paranoia and Julia Garner’s haunting prequel. A perfect horror duo spanning generations of dread, betrayal, and sinister forces.

10. Mama (2013)

A dark fairy tale with Guillermo del Toro’s touch—creepy kids, spectral mothers, and an ending that still chills me.

11. Smile Franchise (2022– )

Twisted grins, psychological terror, and cursed trauma. The first film hit harder, but both installments deliver unsettling, skin-crawling fear.

12. Cabin Fever (2002)

Flesh-eating virus, isolation, and paranoia. Bloody, gross, and unforgettable—nature turns against humans in this stomach-churning nightmare.

13. Cabin in the Woods (2011)

Meta horror brilliance. Teens meet monsters while corporate puppeteers pull strings. Hilarious, terrifying, and genre-bending in the best way.

14. It (Stephen King)

Evil clown Pennywise terrorizes kids in Derry, Maine. Both the 1990 miniseries and modern films redefine childhood fears and nightmares.

15. Evil Dead Franchise

Chainsaws, cabins, demons, and gallons of gore. Over-the-top horror that still manages to scare while delivering cult-favorite laughs.

16. Bubba Ho-Tep (2002)

Bruce Campbell as Elvis in a nursing home fighting a soul-sucking mummy. Horror comedy gold that’s bizarre, brilliant, and hilarious.

17. Gaia (2021)

Visually stunning eco-horror blending body horror, folklore, and nature’s wrath. Creepy, surreal, and hauntingly beautiful in its execution.

18. Sinister Franchise

Eerie found-footage killings, a terrifying pagan deity, and jump scares that actually work. Took me a rewatch, but now hooked.

19. The Exorcist (1973)

Demonic possession at its most iconic. Still shocking, though its power has dulled with time. A remake could be legendary—if done right.

20. House of Wax (2005)

Cheesy to some, but pure horror fun. Melting wax, trapped tourists, and over-the-top gore make this a wild festival watch.

I am sure I have forgotten a couple of movies that I’ve watched in this category, because I have definitely watched a lot, LOL. What about you…? What are some of your favorites?

Like/Share/Comment below!👻🎃

This past Sunday ended up looking very different from what I originally planned. I know I said on Friday that I’d be diving into some of the new TV shows premiering this weekend, but when the day rolled around, I wasn’t in the mood for series-hopping. Instead, I found myself craving a good scare. So, rather than cozying up with new episodes, I went full-on horror marathon mode—and honestly, it was the best decision.

First up was a rewatch of The Amityville Horror (1977), streaming on HBO. This one is such a classic—slow burn, creepy atmosphere, and that unsettling “true story” vibe that makes it impossible to shake off, even after the credits roll. It’s wild how, decades later, the house itself still feels like the scariest character of all.

From there, I jumped into A Classic Horror Story on Netflix. The title almost sounds tongue-in-cheek, but don’t let that fool you—this Italian horror film is a stylish and unsettling ride, complete with cults, gore, and an ending that sticks with you.

To finish things off, I queued up Gretel & Hansel on Amazon Prime. This dark fairy-tale twist is visually stunning, with eerie forest landscapes, unsettling sound design, and a chilling atmosphere that makes you rethink the bedtime story we all grew up with. It’s creepy, elegant, and the perfect way to close out a horror-filled Sunday.

So yes, Sunday was all about horror—and I regret nothing, lol!

I’ve been so turned off from all the crappy new offerings on the various streaming platforms that tonight I’ve just been playing various games on my tablet. I’ve literally been playing Wheel of Fortune for maybe 3 hours and just rising through the ranks and it gives me such intense pleasure to defeat others. 😆😛 I’m embracing my true inner Taurus 100%.

I hope everyone is having an amazing evening and I’ll touch base with you tomorrow when I actually watch some TV/Movies,  lol

So, just taking an opportunity to express my deep disappointment and sadness over the fact that my 10-year-old daughter, Abigail does not seem to love Wicked nearly as much as me! Actually not at all. She couldn’t relate to any of the feel-goods. I don’t understand …..

Not many of you perhaps know this, but I have a long history in musical theater and singing/performing in general to include writing/performing music and touring even in England and Scotland in my youth (Mezzo-soprano). In my adulthood, I have even written, recorded and produced my own album, which is on Spotify….

Music is such an integral part of my life. It’s my go-to mental health therapy; it’s free. No charge. Readily accessible…. Just turn on your favorite song. Belt it out, get out your frustrations; your sadness, your bitterness, your anger, out of your system & feel better.

What has happened to this generation that they can’t see or feel music as therapy? What is their release?

Sad times AND a sign of the times. ☹️

Happy almost-weekend, everyone! After a week that felt like three in one, I am beyond ready to kick back, hit the couch, and dive into some new TV and film premieres. Streaming platforms are really showing off right now, and I’ve already got my watchlist set. So let’s talk about what I’ll be watching (and probably obsessing over) this weekend.

First up: House of Guinness on Netflix. All eight episodes are available right now, which is honestly my favorite thing about Netflix—give me the whole season so I can binge at my own pace (a.k.a. two days, max). From what I’ve seen so far, this looks like it’s going to be a juicy, layered drama with all the power plays, family secrets, and history-steeped tension you could ask for. If you’re into shows that feel cinematic but still totally bingeable, this one should already be queued up.

Next on my list is Wayward, also dropping on Netflix this weekend. And listen, you had me at Toni Collette. She’s one of those actresses who never misses—whether she’s giving us Hereditary-level chills or a quirky, heartfelt role, she always feels 100% believable. One of her most memorable performances in my opinion was in the TV series, The United States of Tara, in which her character had multiple personality disorder – she was amazing! Anyway, I digress….from early buzz, Tony Colette’s character in Wayward is supposed to be really fascinating, and I can’t wait to see what she does with it. This one looks like a perfect weekend-long escape into a slightly strange, but definitely intriguing world.

Over on Apple TV, I’ll be checking out the new sci-fi film All of You. Apple has quietly been building one of the strongest sci-fi collections out there (my fav genre), so I’m hopeful this one will deliver on big ideas and gorgeous visuals. I love mixing in a movie with my weekend show lineup—it gives the binge-watching brain a reset before I jump back into series mode.

And while it’s not dropping just yet, I have to mention what’s coming up: the next installment of Netflix’s Monster series, premiering October 3rd. This time the focus is on Ed Gein, one of the most infamous figures in true crime history. If the last season was any indication, we’re in for something dark, unsettling, and completely gripping.

So that’s the plan: Guinness, Wayward, and a little Apple TV sci-fi on deck, with a true crime storm brewing for next week. What’s on your weekend watchlist?

First things first—sorry for the radio silence this past week! I know I usually check in more regularly, but honestly, adult life hit me with a full agenda. Every single night has been packed with errands, responsibilities, and that never-ending to-do list we all love to hate. The good news? It’s been a super productive week, and now I’m looking forward to the weekend when I can finally breathe, catch up on sleep, and of course, binge some TV.

Which brings me back to HBO’s new show Task. I’ve now watched the first two episodes, and I can safely say: episode two really steps things up. If you only watched the pilot and thought, “Hmm, kind of slow,” you’re not wrong. Episode one felt like a slow burn—almost too slow—until the last ten minutes, where suddenly things got very real. Honestly, you could skip most of it and just watch those final scenes, and you’d still be caught up.

But episode two? Much, much better. The pacing picks up, the characters feel sharper, and the story finally starts to reveal the layers that HBO promised us in the teasers. You can feel the tension building, and I’m genuinely excited to see where it’s headed. It’s one of those shows where you can tell the setup was necessary, but now we’re finally getting into the payoff.

So if you were hesitant after episode one, don’t give up just yet. Stick around for episode two—you’ll thank yourself later. I’m officially in, and I’ll be keeping up with it as the season rolls on (and hopefully posting on time next week).

I’m not allowed to reveal my secrets, but I got to watch the movie Together (ty, Amazon)

Just goes to show there ARE people reading these posts, lol… Thank you!

Yay! All right, so the review……

This movie is amazing. You must watch it immediately. It is so much better than even Weapons, which had so much hype. I don’t want to reveal any spoilers,  but trust me when I tell you this is an amazing movie and you need to watch it as soon as possible. And I don’t say that about just any movie.

Together (2025) on Amazon Prime is honestly one of the wildest, coolest movies I’ve seen in a minute. Alison Brie and Dave Franco basically take #CoupleGoals and crank it up to “what if our bodies literally fused into one?” levels. It’s gross, hilarious, and genius. The chemistry is off the charts, probably because they’re married in real life, the satire is sharp, and it somehow makes codependency look… stylish? Equal parts rom-com, horror, and WTH—this movie absolutely slaps.❤️❤️❤️

2.0…… New & Improved…..

WITHOUT Jennifer Lopez

Are you as excited as I am????!! Not only for the remake of Anaconda, but the fact that Jack Black is in it and Jennifer Lopez is not because I can’t stand her, lol.

Anyway, in case you didn’t hear, they’re doing an Anaconda reboot that’s about some filmmakers making an Anaconda reboot and stumbling into an actual Anaconda.

It sounds like everything I could ever want to see in a movie aside from Betty White in Lake Placid and that takes the cake; nothing can beat that star power and plot. PERIOD.

Time to empower women… Again

FINALLY! (pleasseeeeee)!

I’ll be honest right up front—I don’t like Hulu. Never have. I’ve never kept the subscription more than a month or two because the platform just doesn’t pull me in the way others do, especially for the 💲💰💲. But when I saw the new film Swipe premiering there, I hit the subscribe button again (un mes), because I’ll watch just about anything if Lily James is leading the way. And let me tell you, she doesn’t disappoint.

Swipe is marketed as a drama-comedy, but at its core, it’s about something so much bigger: women standing up for themselves in business, in relationships, and in society. The story follows a group of ambitious women launching a new app that flips the script on the tech world—one dominated far too long by men with questionable hoodies and even more questionable morals. Lily James plays a powerhouse entrepreneur who isn’t just creating a product; she’s making a statement.

What I loved most about the film is how it never talks down to the audience. It celebrates women as innovators, leaders, and visionaries, while still being funny and accessible. And yes, there’s plenty of sharp commentary about equal pay and the way women are still fighting for salaries that reflect their worth. It’s empowering without being preachy, entertaining without being shallow. 

AND I’ll tell you right now as a single mom, it is hard raising a family on a single-person income… America doesn’t want us & the cards are stacked against us, single educated women, which is freaking sad and pisses me off.

So yes, I will watch any movie that comes along that empowers women to freaking try to break through that glass ceiling that’s still there even in 2025.

So while I still don’t love Hulu, I can admit Swipe might be worth the subscription—at least until my month runs out.

Ehhhh, something’s off…..

Netflix just rolled out Black Rabbit, and while I haven’t actually started watching it yet, I’ve already devoured all three trailers. And honestly? Something feels off….

For starters, Jason Bateman and Jude Law are supposed to be brothers. Brothers! Ummmmmm, huh?!?? I love both actors, but they don’t pass the sibling test. Bateman is forever typecast as the suburban everyman reluctantly cleaning up messes (Ozark, anyone?), while Jude Law has that “I might sell you a fake Rolex in a dark alley” energy. The trailers want me to believe that Bateman is the one drowning in casino debt and needs Jude Law’s help? No way. If anything, it should be flipped—Law owing money, Bateman sighing and bailing him out. Even the beard on Bateman does not deter me from my skepticism.

Here’s my theory (and Netflix, if I’m right, I want credit and I do have a history of calling it, just saying): Bateman’s character isn’t actually in debt. What if the whole “casino disaster” is just a scam to squeeze money out of his brother? That version I could buy—Bateman leaning into his sharp, calculating side, pulling one over on Jude Law. If that’s the twist, then bravo. But if the show expects me to believe this premise at face value, I’m skeptical. If that’s not the plot then shame on you, because this show is weak.

Don’t get me wrong—I’m going to watch Black Rabbit… Well, I’ll give it one and a half episodes (but not tonight cuz honestly I’m not excited about it because I think I’m right)…… The cast is too good to ignore (❤️ Jason Bateman ❤️). But I’m going in with side-eye, popcorn on standby, and the strong suspicion that the trailers are playing tricks on us (I hope). If there’s a con hidden in plain sight, I’m calling it right now.

Spies, Snark, and My Crush on Gary Oldman (Don’t Judge Me)….

If you’re looking for a show that’s equal parts clever, gritty, and deeply British (like, “make you crave tea and sarcasm” British), look no further than Slow Horses on Apple TV. While, it’s not necessarily a new TV series, it’s new to me and what I’ve been streaming this week so far, LOL!

All four seasons of Slow Horses are streaming now—each just six episodes long, which is basically the perfect binge size for people like me who can’t commit to a 10-season, 20-episode each situation. And guess what…? Season 5 is premiering September 24th. Yes, our favorite band of misfit spies is back to trip over their own shoelaces while still somehow saving the day.

Now, let’s talk about the elephant in the room—or should I say the old, cranky, chain-smoking elephant: Gary Oldman. My forever crush. Here’s the thing: in this show, he plays Jackson Lamb, who is basically the human embodiment of a dirty ashtray with a PhD in insults. He’s gross; his character is gross. He eats like a raccoon going through your trash at 2 a.m. And yet… I still ♥️ him. Am I proud of this? Absolutely not. Do I care? Also no, LOL.

But the show isn’t just about Lamb burping his way through MI5 screw-ups. One of my personal favorite actresses, Sophie Okonedo, shines as Ingrid. In the first couple of seasons, she doesn’t get much screen time (a crime, honestly), but starting in Season 3 she gets more involved—and let me tell you, Sophie brings such class and quiet strength to the chaos. Every scene she’s in feels elevated, like suddenly the clowns have to act like professionals.

Quick side rant: the theme song…. Supposedly Mick Jagger wrote it specifically for Slow Horses. Cool flex, right? Wrong. It’s honestly the worst part of the entire show. No offense to Sir Mick, but the song is so bad I’ve made it my personal mission to skip it every single time. It’s like a dare: “Can you hit the skip button fast enough before the vibe dies?” Yes, Mick, I can. And I will. Every. Single. Episode.

And for the record, one of the badass agents, Louisa, is played by Rosalind Eleazar. Yes, her first name is Rosalind. Like mine. Coincidence? I think not. Basically, this means I could totally be a spy if given the chance… or at least look cool in a trench coat.

So, whether you’re here for Oldman’s glorious nastiness, Sophie’s elegance, or just want to feel better about your own dysfunctional workplace, Slow Horses is the binge you didn’t know you needed. Just remember: skip the theme song, save your soul.

This Saturday, September 20th, Netflix unleashes 28 Years Later, and I’m already making sure my popcorn supply is stocked. Why? Because this isn’t just another zombie flick—this is the long-awaited third installment in one of the best horror franchises ever, following 28 Days Later (2002) and 28 Weeks Later (2007). Twenty-eight years after the original outbreak, the Rage Virus is back to remind us all that maybe quarantined islands aren’t as safe as they seem.

Let’s talk about the cast, because this lineup has me buzzing. One of my all-time favorite actresses, Jodie Comer (yes, total girl crush alert), is front and center, and that alone makes this a must-watch for me. Honestly, if she’s in something, I don’t even need to see a trailer—I’m pressing play. Add in Ralph Fiennes (who I lovingly call “Ralphines” because he’s that good in everything he does), and we’re talking powerhouse performances. Toss in Aaron Taylor-Johnson, Jack O’Connell, and even a breakout debut from Alfie Williams, and you’ve got a recipe for top-tier apocalyptic storytelling.

Director Danny Boyle and writer Alex Garland—the duo who gave us the original 28 Days Later—are back at the helm. That means the raw, gritty, heart-pounding style that defined the franchise’s start is alive and well. Expect bleak beauty, nerve-shredding tension, and infected that feel scarier than ever. If anyone can capture the horror of survival decades after society collapses, it’s these two.

But here’s the kicker—28 Years Later isn’t the end. Nope. The story continues with the already-announced fourth installment, titled 28 Years Later: The Bone Temple, slated for release in January 2026. Directed by Nia DaCosta, with Garland still on script duty, the next chapter promises to dig into even darker territory: think cults, twisted human factions, and maybe even new mutations of the Rage Virus. And yes, much of this stellar cast is expected to return, so we won’t be saying goodbye just yet.

So here’s my verdict: 28 Years Later is shaping up to be the rare third movie in a franchise that doesn’t just limp along but charges forward with teeth bared. I’m ready for the scares, the chaos, and the Comer-Fiennes magic. If you need me this Saturday night, you’ll find me on the couch, lights off, blanket pulled tight, screaming and loving every second. 🤓🍿🫣

Horror fans, buckle up, because Apartment 7A has arrived on Amazon Prime, and let me tell you—it’s not just another haunted-apartment flick. Without giving away too much (because I’d hate to spoil the good, creepy fun), this film serves as the prequel to the iconic Rosemary’s Baby. Yes, you read that right. It digs into the sinister backstory of the Bramford apartment building and the people who call it home. If you’ve ever wondered how the stage was set for Rosemary’s nightmare, Apartment 7A answers that in ways that are both fascinating and frightening.

Now, let’s talk about the real reason I hit play the second this dropped: Julia Garner. I don’t care what the movie is—if I see her name in the cast, I’m watching it. Period. And once again, she does not disappoint. Garner has this magnetic presence that pulls you into the story whether she’s playing fragile, fierce, or flat-out terrified. Here, she balances vulnerability and strength in a way that makes you root for her even when the walls start closing in (literally and metaphorically). She elevates the film from being just another horror spinoff to something with real weight.

What makes Apartment 7A stand out is how it respects the legacy of Rosemary’s Baby without leaning too hard on nostalgia. The filmmakers weave in subtle nods to the classic while carving out a chilling narrative that feels fresh. The tension builds slowly, like a rope tightening around your neck, and by the final act, you’re holding your breath. And if you watch the scenes closely enough, you’ll catch several side glimpses of Rosemary (never officially introduced to us during this movie), whom is going about her business unaware as to the drama that will soon come into her life as we all know.

For fans of psychological horror, gothic atmospheres, and of course, Julia Garner, this one is a must-watch. Apartment 7A proves that even after decades, the Bramford still has secrets worth uncovering.

AND, I could foresee another prequel to even this one, because there was another victim before Julia Garner’s character, but once again I’m going to shut my mouth to prevent any spoilers!

I just paid $3.79 to rent the new Downton Abbey: A New Era movie and I do not regret this purchase at all.

I will enjoy every second of it.

And, of course, post accordingly, for you guys, because I love you. 💋

The Amazon Prime theatrical movie that I wish I could $$$ & review right now, but I can’t, yet…

I might have found my dream horror movie but, I have to wait because right now it’s on Amazon Prime for $19.99 and that’s not going to happen for this single mom over here.

While, I don’t typically like Alison Brie (aka, from Community)… I’m digging her RL hubby/movie significant other, David Franco with whom she played opposite in this movie…. They are a match made for horror movie hell.  Yayyyyyy!!!

Let’s all take a moment out of our lives say a collective prayer. .. that Amazon Prime decides to be generous and put a discount on this movie so I can review the hell out of it, lol.

Amen.

My review of Weapons 

Eeehhh, I paid money to watch it….

Let me start with the obvious: I’m a single mom, which means every dollar I spend on something nonessential is a decision made with the weight of ten grocery lists behind it. So, when I forked over my own hard-earned cash to watch Weapons – 2025 (because of the hype machine that practically screamed “THIS MOVIE WILL CHANGE CINEMA!”), I expected greatness. Instead, what I got was… well, decent, but also kind of disappointing.

Now, don’t get me wrong. Julia Garner? Absolute queen. LOVE HER. IN MY OPINION SHE CAN DO NO WRONG; SHE’S A GODDESS.  She carried this movie on her shoulders like she was training for the Olympics in emotional weightlifting. Every scene she was in had a pulse, a spark, something worth watching. But here’s the thing: when you attach someone as incredible as Julia Garner to a film, you can’t just give me a plot that feels like it was stitched together from the cutting-room floor of every other “psychological thriller” made in the last decade. Predictable beats? Check. Tension that doesn’t quite land? Check. Horror that’s more “mild goosebumps” than “sleep with the lights on”? Double check.

The movie advertises itself as horror, but honestly, it leaned more toward psychological thriller—and not even the mind-bending kind. More like the “oh, I guessed that 20 minutes ago” kind. Or it could just be that I am desensitized to true horror because I have watched too much grotesqueness in my lifetime, at the ripe age of 47, lol…….

And let’s talk about the Aunt, with the hellfire hair…. Yes, the character who is clearly the defining force of this story. The Aunt deserves either a prequel or a sequel, because right now, it feels like we got half the story, and the juiciest bits are hiding in some studio drawer waiting for a green light.

So here I am, giving Weapons a 7 out of 10 on a generous day, maybe a 6 if I’m feeling salty about the ticket price. It’s not that it’s a bad movie—it’s just not the great, game-changing horror I was promised. And again, let’s stress: I paid actual money to see this, and that should mean something.

Bottom line? If you’re watching for Julia Garner, you’ll be entertained. If you’re watching for groundbreaking horror, you might leave the theater like me—checking your wallet, sighing at the hype, and muttering, “Well, at least the Aunt was terrifying.”

P.S…….

Ya know, I have to say in retrospect and really thinking about it, this movie reminds me a lot of The Village by M. Night Shyamalan….. don’t know why, but it does. . .

I watch too many movies.

But as of right now I’m not sure OR sold on it other than the hot guys…

The new HBO Max series Task just premiered, and of course, I had to check it out right away. I sat down for the first episode, ready to be swept up in a brand-new world of mystery, drama, or whatever clever curveball HBO Max had in store. And while I can say this show definitely has promise, I walked away with mixed feelings.

The opening episode introduces the premise well enough, and the two main characters are instantly the kind of people you want to keep watching. To be really honest they’re hot guys. Their chemistry is undeniable, and I can already tell they’re the real heart of this series. They alone make me want to stick around and see where this is going…. Sorry, not trying to be a perv, lol.

That said, the pacing of episode one didn’t completely hook me. It set the stage, but didn’t quite deliver that gut-punch moment I was waiting for. Honestly, I wish HBO Max had dropped a second episode right alongside the premiere, because sometimes a new series needs a bit more room to breathe before it finds its footing….

Still, I’m not writing this one off. In fact, I’m committed to giving Task another shot, because shows like this often take a couple of episodes before they click into place. And with leads this strong, I’d be surprised if the story doesn’t start to shine once it gains momentum.

So yes, Task might not have grabbed me immediately—but I’m intrigued enough to keep watching.

And for those saying that the show was a hit, ‘and oh my God, it’s fantastic’… THAT’S JUST HYPE. So, don’t believe it until you’ve watched at least more than one episode because right now I’m not sold and you should not be either. But, boy would I love to be proven wrong, because I am so tired of these streaming networks taking my money and not delivering any good quality content.

Every so often, a new series comes along that grips you from the very first episode, and The Girlfriend on Amazon Prime is one of those rare gems. Starring the always-brilliant Robin Wright, this psychological thriller is a dark, twisty exploration of love, obsession, and family dynamics that will have you questioning everything you see on screen.

Based on Michelle Frances’s novel, The Girlfriend follows Laura Sanderson (Wright), whose carefully curated life begins to unravel when her son Daniel introduces his new girlfriend, Cherry (Olivia Cooke). At first glance, Cherry seems charming and sweet, but Laura quickly suspects something is off. Is Cherry really the loving partner Daniel believes her to be, or is she hiding sinister motives? That’s the hook — and the show keeps tightening the tension with each scene.

After just two episodes, I’m completely locked in – hooked. The storytelling cleverly shifts perspectives between Laura and Cherry, forcing you to pick sides only to flip your assumptions moments later. Wright delivers a powerhouse performance as a protective mother walking the thin line between justified concern and unhealthy obsession. Cooke, meanwhile, keeps Cherry enigmatic — likable one moment, unsettling the next. Daniel (Laurie Davidson) is caught in the middle, and you can feel the weight of his impossible position.

Beyond the performances, the production design elevates the show to another level. Sleek art galleries, opulent interiors, and hauntingly composed shots create a backdrop that’s as stylish as it is unsettling. Even when the plot edges into melodrama — which it occasionally does — it’s impossible to look away.

And the best part? All six episodes are already available for streaming on Prime Video. No waiting week after week — you can binge this nail-biter right now. Hallelujah!

The Girlfriend is unsettling, addictive, and brilliantly performed. If you’re a fan of dark family dramas with psychological twists, this is a series you don’t want to miss. I’m only two episodes in, but trust me, I’ll be finishing the rest of this series, THIS weekend!

If you’ve been wondering why it’s been a little quiet around here, I owe you an apology. I was sick earlier this week, and let me tell you—it’s been a rough one. The kind of sick where you’re curled up with tea, blankets, and the remote, trying to escape into something comforting. The silver lining? It gave me the perfect excuse to revisit two of my absolute favorite shows on Amazon Prime: Outer Range and Night Sky.

Now, here’s where my frustration kicks in. Both of these series were canceled way too soon. Why does this always happen? Every time I get hooked on a show that’s smart, intriguing, and genuinely original, the rug gets pulled out from under me. Who’s making these renewal decisions, and why do they seem allergic to fantastic television?

Outer Range is one of those rare gems that blends Western grit with sci-fi mystery in a way that feels fresh. Ranchers, family drama, and then—boom—an inexplicable black hole in the middle of nowhere. It’s tense, weird in the best way, and deeply atmospheric. Josh Brolin anchors it with a performance that makes you want to follow him straight into the abyss. This show had all the makings of a multi-season epic, yet here we are, left hanging.

On the other hand, Night Sky is a quiet wonder. Starring J.K. Simmons and Sissy Spacek, it explores love, aging, and the infinite mysteries of the universe—all from the backyard shed of an older couple. It’s heartfelt, contemplative, and filled with moments that sneak up on you emotionally. Watching these two navigate their otherworldly secret is unlike anything else I’ve seen on TV. And still—canceled.

It’s maddening because both Outer Range and Night Sky prove that television can still be inventive, bold, and deeply human. They weren’t just filler content; they were thoughtful stories that deserved time to breathe and grow.

So yes, I’m late posting this week, but I’m here with a mission: if you haven’t watched Outer Range and Night Sky, stream them now on Amazon Prime. Even knowing their journeys are cut short, they are absolutely worth your time. Maybe if enough of us keep watching, someone will realize what a mistake it was to end them too soon.

Matt Damon, a patty melt and comfy pj’s are making my Sunday AMAZING!

Enjoy your day and I’ll catch you all next week 🙂

Elvira:Mistress of the Dark…. Well, WHY, NOT? (The Golden Girls, OR Alf, are acceptable as well….☺️)

So, real talk right now…can’t find sh*t to watch and it’s bumming me out.

So, I just decided I’m going to go to my staple. My safe place. My heart. The love of my life, (even though I am heterosexual) and that is Cassandra Peters as Elvira, Mistress of the Dark

There’s really nothing else to be said except that yes, I do have two collectible dolls of Elvira, pristine in the original packaging and that is the legacy I am leaving behind to my kids who are going to give a deep eye roll upon reading this statement.

That’s okay.

I’m fine with that.

Cassandra Peters is amazing.

I ❤️ Elvira.

Let’s get this straight: Friendship, the deliciously awkward comedy from A24, starring Tim Robinson as socially inept dad Craig and Paul Rudd as his magnetic, mustachioed neighbor, Austin, is now streaming only on HBO/ Max as of September 5, 2025. That’s right—if you’re still roaming the barren wastelands of Netflix, Prime, Hulu, or Disney+ (LIKE ME), there’s literally nothing worth your eyeballs. Move on.

This is a film that turns the brutal struggle of friendship into peak cringe-comedy. Craig’s desperate need for male connection spirals into everything from piping mushrooms to secret tunnels, soap-stuffing, and a gun-toting standoff—all in service of staying in the “friend zone.” It’s weird, it’s wild, and it’s exactly what you didn’t know you needed.

The brilliance of Friendship lies in its razor-sharp script by debut feature director Andrew DeYoung, whose weirdness blends so well with Robinson’s trademark “I Think You Should Leave” absurdity. With Kate Mara, Jack Dylan Grazer, and Rudd (who personally requested his Austin character be renamed to avoid reminding us of Anchorman) rounding out the cast, the film delivers emotional depth wrapped in cringe comedy.

So, why is HBO/Max the only home for this gem? Thanks to an exclusive A24/Warner Bros Discovery “Pay-1” deal, Friendship blooms only on Max after its theatrical and digital release run.

Word to the wise: cancel your other subscriptions. Who needs a sea of generic, rehashed rom-coms or half-baked sci-fi when you can float in the singular, gloriously awkward reality of Friendship on HBO/Max? It’s the antidote to streaming ennui—and a reminder that sometimes, the best stories are the ones that make you squirm, then laugh, then wince, and finally—really feel.

The only drawback is I hate Kate Mara(whose in this), almost as much as I freaking hate Anna Kendrick or Jennifer Lopez (who are not in this)….Thank you Jesus for these small gifts….

Words to the wise: Netflix, Hulu, Amazon Prime you are weeding yourselves out of the proverbial gene pool that is my money because of your crap content… Your greed is showing.

Yes, yes, yes, yes….. she’ll be better than even Madonna ever was….

It’s happening, Julia Garner is set to play Madonna in the official biopic—and she’s more than ready.

No premiere date is set yet…..watch the interview below!

Let me start with this: Opus blew me away. Not just as a film—though it’s a wild, captivating, slightly unnerving ride—but as a musical experience. You know those movies where the soundtrack is so good you immediately start Googling “Opus soundtrack download” before the credits even finish rolling? Yeah. That was me. And in my case, it went a step further—I actually made one of the songs, Dina Simone, my ringtone. For a few weeks, every time anyone called me, John Malkovich’s voice came crooning through my pocket like some eccentric opera ghost. And you know what? I loved it!

Yes, you read that right: John Malkovich can sing. I had absolutely no idea, and I’m willing to bet you didn’t either. He doesn’t just sing, he performs. He’s sexy.  He embodies these songs in a way that makes you forget you’re watching an actor best known for his strange, cerebral characters. Instead, you’re watching someone who seems to have been born to deliver this kind of music. His voice has this quirky, commanding quality—half haunting, half soothing—that somehow works perfectly with the surreal tone of Opus.

And that brings me to the film itself. Opus isn’t just a feast for the ears—it’s a full-on cinematic buffet. The storyline is rich, layered, and deeply unsettling in the best possible way. Without spoiling anything, I’ll just say that if you’ve seen Midsommar, you’ll feel a faint sense of déjà vu here. Not in a “this is a copycat” way, but more in a “whoa, this gives me the same uneasy, ritualistic vibes” kind of way. I don’t want to say more, because part of the magic of Opus is going in with minimal expectations and letting it mess with your brain all on its own.

Here’s the thing: so many movies lately slap on a soundtrack like an afterthought. You can almost hear the Spotify shuffle button working in the background. But Opus does it differently. The music isn’t just background noise—it’s woven into the DNA of the film. The songs feel necessary. They carry emotional weight, they guide the story, and they leave you humming long after you’ve closed HBO Max.

And speaking of HBO Max—yes, that’s where you can stream it. No excuses. You don’t even have to leave your couch. You can throw it on for “just a quick peek” (which is what I told myself), and three hours later you’ll still be sitting there, probably a little unnerved, definitely impressed, and most likely searching for the soundtrack.

So here’s my official recommendation: Watch Opus. Watch it for the acting. Watch it for the story. Watch it for the slightly cult-y, Midsommar-ish energy. But most of all, watch it for the music. Because when a film can sneak into your head, your heart, and your ringtone playlist, that’s when you know it’s something special.

Are you ready to revisit the horrors of Derry—only this time, we get to explore the chilling origins before Pennywise’s reign of terror? Uhhhh, I AM!!!!!!

I am absolutely over the moon to announce that IT: Welcome to Derry, the highly anticipated supernatural horror prequel based on Stephen King’s iconic novel IT, will premiere exclusively on HBO and Max on Sunday, October 26, 2025.

Imagine: the eerie streets of 1962 Derry, Maine, where a couple and their son move into this cursed town… only to discover that the surface is just the beginning of its nightmares.

With filmmaking wizardry from Andy and Barbara Muschietti (who brought us the breathtakingly terrifying IT and IT Chapter Two), and headline performances from Taylour Paige, Jovan Adepo, Chris Chalk, and—yes—Bill Skarsgård as Pennywise, this series is bursting with spine-tingling potential.

This nine-episode journey will peel back the layers of Derry’s darkest secrets: from the infamously cryptic “interludes” of King’s novel, to the very reasons Pennywise has haunted this town for centuries.

So go ahead and mark October 26, 2025 on your calendars—this isn’t just a series launch, it’s your Halloween horror dream come to life.

If you take one thing away from this review, let it be this: do not Google Childhood’s End before watching it. I mean it. Don’t even type the words into your browser unless you want one of the greatest reveals in television history ruined for you. This is one of those rare instances where the spoiler isn’t just a twist—it’s a jaw-dropping, mind-melting moment that redefines everything you thought you knew about the show. The reveal is so good, so shocking, that I sat there slack-jawed, staring at my TV, wondering how in the world SyFy (yes, SyFy!) actually pulled this off.

So, what is Childhood’s End? Technically, it’s not a movie but a three-part miniseries based on Arthur C. Clarke’s legendary novel. (Yes, the same Clarke who helped define modern sci-fi with 2001: A Space Odyssey.) SyFy took a massive swing with this one, and to my utter surprise, they didn’t miss. The miniseries tells the story of Earth being visited by a mysterious alien race called the Overlords. Instead of rolling in with lasers and death rays, they bring peace, prosperity, and the end of war. Which sounds lovely… until you realize there’s always a catch when aliens are involved.

Now, I’ll be the first to admit: SyFy doesn’t exactly have the best track record. For every Battlestar Galactica, we’ve had, well, about six Sharknado sequels. But Childhood’s End is different. It’s serious, it’s thoughtful, and it’s honestly one of the best things the network has ever put its name on. You’ll find yourself sucked in by the eerie calm of humanity’s “golden age,” and before you know it, you’re questioning everything about utopia, free will, and what it really means to be human.

The acting? Surprisingly solid. The pacing? Tight enough to keep you binging all three episodes in one sitting. The themes? Let’s just say if you’ve ever wanted a sci-fi story that combines philosophy, religion, and a splash of existential dread, this one’s for you.

Here’s the practical part: the only way to watch Childhood’s End right now is by purchasing it for $1.99 an episode on Amazon Prime. And yes, I know, paying for a SyFy miniseries might sound like throwing money into the void. But trust me—it’s worth every penny. That’s less than a latte, and instead of caffeine jitters, you’ll get one of the most ambitious, mind-blowing stories SyFy ever produced.

But here’s the kicker: the spoiler. I won’t say a word about it (and you’ll thank me later), but when it hits, it transforms the show from “good TV” into “unforgettable experience.” It’s the kind of twist you’ll think about for days, maybe even weeks, afterward. It’s bold, it’s weird, and it’s so audacious that you won’t believe SyFy had the guts to actually do it.

Bottom line: Childhood’s End is a rare gem that you should watch completely blind. Forget the trailers, skip the Wikipedia summaries, and absolutely don’t Google it. Just dive in, spend the six bucks, and prepare for your brain to explode in the best possible way.

“The Misleading Name. The Awful Art. The Amazing Series.”

When I first saw the TNT series Animal Kingdom pop up on Netflix and Amazon Prime, I did what most normal, judgmental humans would do—I scrolled right past it. I mean, Animal Kingdom? What is this, a documentary about meerkats and lions narrated by a discount David Attenborough? Add to that the clunky, uninspired poster art—some brooding faces, bad fonts, and a vibe that screams “generic crime drama” instead of “absolute TV gold”—and you can see why I wasn’t sold.

But here’s the plot twist: Animal Kingdom is not only good, it’s fantastic. It’s the kind of show that hooks you in, chews you up, and spits you out binge-drunk at 3 a.m. begging for “just one more episode.” Turns out, this is no safari. It’s a gritty, adrenaline-pumping crime saga about a Southern California crime family run by the most terrifyingly magnetic matriarch on TV: Smurf (played with chilling brilliance by Ellen Barkin). Forget cute and cuddly—this kingdom runs on bank heists, betrayal, and family dysfunction so thick you could cut it with a surfboard.

The premise follows Joshua “J” Cody, a teenager who moves in with his estranged relatives after his mother dies. What should have been a fresh start quickly morphs into a crash course in armed robbery, moral compromise, and the kind of family bonding that involves ski masks and getaway vans. Think Sons of Anarchy, but with surfboards, sun tans, and fewer motorcycles.

The writing is razor-sharp, the pacing relentless, and the acting ridiculously good across the board. Shawn Hatosy deserves an award just for making Pope—arguably one of the most unhinged, layered characters in recent TV memory—so watchable. Every member of the Cody clan is both compelling and terrifying, a walking contradiction of loyalty and betrayal.

So, yes, TNT really did this show dirty with the name and artwork. Animal Kingdom should’ve been called something like Surf, Crime, Repeat or The Family That Steals Together Stays Together. Instead, it’s camouflaged as something you’d never click on unless you were bored enough to test your luck. Which makes discovering it all the sweeter.

Bottom line? Ignore the misleading title. Ignore the bad poster art. If you want a binge-worthy series filled with tension, heists, messy family drama, and jaw-dropping twists, Animal Kingdom is one of the most criminally underrated shows out there.

Let me know what you think… Have you watched this show?

When a bad movie is actually good……say WHAT?

I’m going to start this off by saying I don’t like Mark Wahlberg or Marky Mark and the Funky Bunch, etc., whatever. I’m sure it’s not keeping him up at night. It’s not keeping me up at night either. My opinion is that Mark Wahlberg is literally the definition of a typecast actor. . . He is the same mediocre actor in all movies. He has a flat affect. I compare him to watching George W. Bush Jr. speak when he was President…. It was painful, perhaps excruciating. I’m anxious FOR him. He’s not attractive & he’s boring; like I’m a narcoleptic and I have a hard time watching a movie with him without falling asleep, even with Adderall. But I digress. (Wow, maybe that was a little mean but, I’m going to say it how it is…*shrugs*)

The Happening is an interesting movie because it’s actually somewhat based in scientific fact about the whole thing with the f*cking bees, and the plants/nature. . .

Yeah, so here we go…… Let’s go down that rabbit hole, shall we, Alice?

If cinema is a grand stage where human emotion finds its purest form, then The Happening (2008) is the awkward karaoke night where Mark Wahlberg belts out Bon Jovi off-key, clutching the mic like it’s a hostage. On paper, this film had potential: M. Night Shyamalan writing and directing a “nature strikes back” thriller in which unseen forces cause people to suddenly, horrifically, end their own lives. Creepy, right? But instead of horror, what we got was an accidental comedy showcase where Wahlberg proves—conclusively—that he should never, under any circumstances, be asked to play a high school science teacher.

Let’s pause and savor that casting choice. Mark Wahlberg. As a science teacher. Explaining biology. With equations on a chalkboard. This is the cinematic equivalent of hiring a hamster to pilot a Boeing 747. Like, HUH??!!

Wahlberg delivers each line like he’s trying to convince himself of basic reality. When he explains the scientific method, you half expect him to say, “You know, the science-y stuff… with the beakers.” His facial expressions, meanwhile, hover between confused math student and man who just spotted a raccoon in his kitchen.

The problem isn’t just bad acting—it’s consistently flat acting. Wahlberg doesn’t climb emotional peaks or plunge into valleys. He exists in a state of eternal, monotone limbo, where every line has the same weight as “pass the salt.” Remember the scene where he whispers to a plastic plant, “I’m talking to a plant… just to be clear”? That’s not acting. That’s hostage footage. And yet, it’s arguably the most authentic moment in the movie because Wahlberg seems just as baffled by the script as we are.

Shyamalan wanted an eco-thriller, a cautionary tale about humanity’s strained relationship with the environment. Instead, audiences left the theater quoting Wahlberg’s deadpan “What? No!” as if it were Shakespeare. The Happening is meant to terrify us with invisible toxins carried on the wind, but Wahlberg’s flat, A-fact delivery saps every ounce of tension. People are dying in grotesque, horrifying ways—construction workers leaping off buildings, drivers stepping out into traffic—and there’s Wahlberg, wide-eyed and whispering like he’s in a Target commercial.

It would be unfair, though, to give Wahlberg all the blame. Zooey Deschanel is also present, mostly to look confused and blink rapidly. The script itself is wooden, the dialogue stilted. But Wahlberg, bless him, elevates the disaster into unintentional comedy gold. His performance is so off-key it becomes surreal performance art. Watching him ask, “Are you eyeing my lemon drink?” feels like observing an alien impersonating a human with only partial data.

Over time, The Happening has transcended its status as a failed thriller. It’s a cult comedy—though not intentionally. It’s beloved not for its scares, but for the sheer audacity of Wahlberg’s anti-acting. In a way, it’s prolific: a reminder that even in Hollywood, sometimes the scariest thing isn’t the apocalypse. It’s Mark Wahlberg, looking straight into the camera, and trying—so earnestly, so impossibly—to sell us science.

An actual science though, but he sh*t all over it with his funky-bunch stuff…

You’re welcome. Enjoy!

I’m okay with this… There’s going to be a lot of crying and screaming and applauding and cheering and singing along with the movie. BUT, I DON’T LIVE IN AN APARTMENT.  I’m at home alone tonight and I’m just letting everyone know, just deal with it. I’m doing it ALL, along with cheese fries, because I can’t find anything else to watch. And, why am I paying around $45 a month in subscriber fees and YET rewatching a movie I watched 2 months ago, WTH.

Oh, I just realized I’m not looking forward to Ariana Grande. Please, girl, EAT A 🍔….. Oh, and I haven’t forgotten that video she did where she was at a donut shop and she’s like, “I hate America… ” I don’t forget things like that….. Even if they aren’t directed specifically at me, lol.

Well, just goes to show you that not everything has a silver lining………

But, I’m with Elphaba Thropp.  🧙🧙‍♀️🧹🪄

P. S. After only one song, my girl card has totally been reinstated!!! 🌈🎉☺️

It’s a new thing… Speed-dial movie-style

So, I kind of have this thing I love to do where I watch a review of a Movie/TV Show & kinda predict what’s going to happen… This 100% is pulling inspiration from my need to spoil crap for others & my ability to deduce the gaping plot-twist and storylines that are written by 2nd graders in Hollywood (that obviously get paid about $100,000 more than I do a month). *sigh*

Tonight I was looking for movies on Amazon (in their top-rated category… very prestigious), that I actually haven’t watched, so here you go…the top #5.

I promise this is literally my feedback/thoughts based on the previews from these various streaming platforms…. Grab a drink. I’m not actually going to watch this sh*t…..

• Monster Summer (Amazon):  It’s got Mel Gibson and I still haven’t forgiven him for the whole ‘The Holocaust never happened…” bullsh*t. Watching the preview…literally the movie is a culmination of childhood camaraderie similar to IT & how dare you try to reel me in with the ’80s nostalgia classic hit by Tiffany, “I Think We’re Alone Now”.  WE ARE NOT GOING TO BE ALONE RN, BECAUSE I’M ON TO YOU (Mel Gibson). I’m also feeling a strong reference to The Crazies because of zombies & a hefty dose of good ‘ole Americana and baseball… Let me guess… One of the kiddos gets possessed/infected by a zombie-like virus & Mel Gibson is the only one that can save him (I’m just going to say it’s probably a dude because they’re usually dumber in movies). Oh please, Mel Gibson, will you save this young man and help restore these tweens summer back to normal debauchery….*yawn*
• Star Trek Beyond (Amazon) : Well, this one’s easy… It’s about dorks in space that are not part of Star Wars, so I don’t really care, lol.  Something happens, like catastrophic, and puts the universe  at stake for its demise, but at the end of the day they save it all and ultimately save humanity. Yay! *eye roll*
• Cold Skin (Amazon) :  within the first 2 seconds of the preview these are the thoughts I have… Number #1 –  reminds me of The Thing. Number #2 – reminds me of the TV series, The Terror, Season 1, which was excellent by the way (watch it). I feel like this show is slightly inspired by Homer’s, The Odyssey, and oh yes, there are indeed monsters.. . I think they’re REAL mermaids. Might actually be good….
• The Reader (Amazon) : obviously this is a movie related to the Holocaust. It’s got Kate Winslet from the Titanic, so I’m down. I love her…. She’s amazing and she doesn’t age, lol. I probably will watch this, though it’ll be one of those days when I’m feeling nostalgic and melancholy. I can’t believe I haven’t watched it actually… The trailer/preview is in fact, maybe like a 2- minute random selection of the movie and not actually a schematic view of it. My impressions are it’s not a feel-good flick,  but it’s important, cuz it’s history.
• The Howl (Amazon) : how dare those British try to command those trains; it always ends in disaster! These people must have watched Train to Busan, which I just wrote a review about last week. Except, oh, they wanted to be cheeky and the movie is not about zombies… It’s about werewolves (I think). I don’t care about werewolves, really... I just don’t. I’m fine with them all dying for movie’s-sake, lol.

I’m exhausted and still haven’t found anything to watch!

Woe is my life; first- world problems! 😛

This doesn’t make things cool with us Netflix….. far from it, but it’s a start perhaps!

New to Netflix as of August 28th is the Thursday Night Murder Club starring Helen Miren, Pierce Brosnan and that dude from Star Trek. It seems like it’s like the show is in direct competition with Hulu’s Only Murderers in the Building with Selena Gomez and Chevy Chase and that other dude & I kind of love Helen Miren more, so, as much as it pains me to admit, the Netflix version rules.

I kind of feel like I might be able to relate to old people being stuffed in assisted living homes with time on their hands AND they want to be armchair sleuths…  I want to be armchair sleuth now, but I’m lazy and can’t commit. I’m also only 47 years old & I still live at home paying a mortgage with my 10 yr old daughter, so I don’t think I meet the minimum requirements for assisted living armchair sleuthing.

Anyway, back to the actual review…. Netflix’s The Thursday Murder Club is what happens when Agatha Christie meets The Golden Girls (I’m Dorothy, FYI), but with more body bags and less cheesecake. Set in the genteel Coopers Chase retirement village, the story introduces four pensioners who treat solving murders like others treat knitting circles. Only instead of cozy scarves, they’re unraveling alibis.

Helen Mirren’s Elizabeth is so effortlessly sharp you half expect her to kill someone herself just to spice things up. Celia Imrie’s Joyce is all sugar on the outside but clearly has a streak of steel underneath (the kind of woman who’d lend you sugar for cookies and cyanide in equal measure). Pierce Brosnan huffs and puffs his way through as Ron, still fighting battles decades after the unions ended, while Ben Kingsley’s (oooh, that’s  his name!) Ibrahim quietly dissects psyches like they’re Sudoku puzzles.

The film isn’t edge-of-your-seat suspense—it’s more like a leisurely stroll with a dead body propped up in the garden. The murder mystery itself is fine, if not groundbreaking, but honestly, the fun is watching these retirees gleefully outsmart police, crooks, and sometimes themselves.

Dark comedy laces the coziness, reminding us that old age isn’t about bingo nights—it’s about being underestimated long enough to get away with murder (or at least solving one). Yes, the pacing meanders and the visuals sometimes feel like a BBC Sunday drama left in the sun too long, but the wit, chemistry, and cheeky morbidity make it deliciously entertaining.

Think tea with arsenic: comforting, funny, and just dangerous enough to keep you hooked.

I’m down and I still have all my teeth!

There are TV shows you like, and then there are TV shows you fall into a wormhole with. For me, that show was Raised by Wolves, the Ridley Scott–backed sci-fi series that premiered on HBO Max (back when that name meant something other than “corporate reshuffling and headaches”). If you’ve never heard of it, let me tell you—this is one of the strangest, most original, and genuinely fascinating pieces of sci-fi television to come out in years. And sadly, it’s also one of the most short-lived.

The premise alone is bananas—in the best way possible. Androids called Mother and Father are tasked with raising human children on a distant planet after Earth basically eats itself alive. Cue the wildest parenting challenges imaginable, involving hostile environments, religious zealots in space armor, creepy creatures, and oh yeah, one android mom with the kind of godlike power that makes Superman look like a mall cop. The show plays like a fever dream where sci-fi meets mythology, and while it can be a little odd and even confusing at first, trust me—once you let it grab hold of you, it doesn’t let go.

Now, Raised by Wolves wasn’t just original, it was bold. It didn’t spoon-feed viewers easy answers, and it never apologized for being delightfully weird. Some people bailed early because they weren’t sure what was happening—but that was part of the charm! For me, every episode was like unwrapping a puzzle box with alien slime on it: unsettling, mesmerizing, and weirdly beautiful.

And then… it was gone ☹️. Canceled after only two seasons. W.T.F…… Just as the show was really starting to flex its wings (and believe me, this show had wings in more ways than one), Warner Bros. merged, did their whole “let’s slash content and bury shows people actually like” routine, and poof. Raised by Wolves was abandoned like one of those poor colonists left on Kepler-22b. It deserved more. It deserved better. But that’s the kind of heartbreak sci-fi fans know all too well.

The good news? It’s not lost forever….ehhhh…. Thanks to the great streaming shuffle, Raised by Wolves now lives on Roku—and yes, it’s absolutely worth tracking down. I know, I know. . . You probably didn’t get a Roku player so you could watch high-concept sci-fi about androids with complicated emotions and bird-baby hybrids. But trust me when I say: it’s worth the extra app click.

What Raised by Wolves did so well was remind us that sci-fi doesn’t have to follow the same formula we’ve seen a thousand times. It can be haunting, uncomfortable, breathtaking, and even a little silly, all in the span of one episode. It dared to be something completely different, and in doing so, it gave us one of the best (and weirdest) sci-fi stories in recent memory.

So yes, I loved this show. I still love this show… And while it may never get the third season it deserved, Raised by Wolves remains a shining, bizarre, unforgettable piece of television. If you’re into sci-fi that challenges you, creeps you out, and makes you say “what the heck did I just watch?” before immediately pressing play on the next episode—do yourself a favor. Go find it on Roku.

Because Raised by Wolves isn’t just a show—it’s an experience. And one that shouldn’t be left behind in the streaming wars. ☹️

Let me know what you think…. Have you watched this show? If so, let me know your thoughts; if not, check it out on Roku streaming!

Every so often, a sci-fi series comes along that makes you want to grab your friends by the shoulders, shake them a little, and shout: “You don’t understand—this is peak science fiction!” For me, Apple TV+’s Foundation is that show. It’s ambitious, jaw-droppingly gorgeous, and—dare I say—better than I ever thought Isaac Asimov’s dense, brain-bending classic could be translated onto screen.

Now, let’s be clear: adapting Foundation is no small feat. The original novels are brilliant but not exactly… binge-TV friendly. They’re filled with philosophical debates, galactic politics, and big ideas about the rise and fall of civilizations—epic stuff, but not a lot of car chases or lightsaber duels. Enter David S. Goyer and Apple’s bottomless budget, who somehow took this “unfilmable” saga and turned it into a show that’s equal parts thought-provoking and ridiculously entertaining.

First of all, the visuals. Every frame looks like it was painted by some cosmic Renaissance artist who had access to a trillion-dollar CGI lab. The Empire’s palace, the sprawling galactic cities, the icy, distant planets—it’s so cinematic that I sometimes forget I’m not in a theater. Honestly, it makes most other sci-fi shows look like they were filmed in someone’s garage with a fog machine and a green bedsheet.

Then there’s the story. Foundation follows Dr. Hari Seldon, a mathematician who invents “psychohistory”—basically the galaxy’s most terrifyingly accurate predictor of the future. Seldon foresees the fall of the Galactic Empire and a looming dark age, and he sets out to shorten that chaos by creating a “Foundation” to preserve knowledge. Sounds straightforward, but then you throw in cloned emperors (yes, CLONED EMPERORS), political backstabbing, space pilgrimages, rebellions, and more twists than a pretzel factory, and suddenly you’ve got sci-fi television that’s as addictive as it is smart.

And let’s talk about those emperors: Brother Dawn, Brother Day, and Brother Dusk. The idea of three genetically identical rulers at different ages simultaneously running the galaxy is chef’s kiss brilliant. It’s equal parts creepy and fascinating, and it creates so many moments of drama that I found myself muttering, “Oh, no they didn’t,” at the screen.

Casting-wise, the show is perfection. Jared Harris as Hari Seldon? Inspired. He brings this mix of gravitas and quiet rebellion that makes you want to follow him into the end of the galaxy. Lee Pace as Brother Day? ❤️ Absolutely magnetic—equal parts godlike ruler and deeply insecure man who just happens to control billions of lives. And the supporting cast, from Lou Llobell’s Gaal Dornick to Leah Harvey’s Salvor Hardin, make the sprawling narrative feel grounded and human.

Now, what makes Foundation one of my favorite sci-fi series isn’t just its scale or its smarts—it’s the fact that it manages to balance heady philosophy with actual human emotion. It asks the big questions (Can the future be changed? Is free will real? How much control should leaders have?) but it also gives us flawed, passionate characters to wrestle with those questions. That’s the magic. It’s not just a galaxy-spanning chess match—it’s a story about people caught up in the tides of history.

And yes, it’s not all perfect—sometimes the pacing slows to “watching-paint-dry-on-a-spaceship” levels, and occasionally the show gets a little too wrapped up in its own grandeur. But honestly? I don’t care. Even when it’s indulgent, it’s beautifully indulgent. Like, if I have to stare at another ten-minute sequence of spaceships gliding majestically through the cosmos, you won’t hear me complaining.

In short: Foundation is everything I want in a sci-fi series. It’s smart without being smug, epic without being hollow, and emotional without being cheesy. It’s one of the most well-crafted shows on television, and easily one of my favorites of all time. If you like your sci-fi with brains and spectacle, this is the show to binge.

So yes, I am fully, unapologetically obsessed with Foundation. And if Apple TV+ wants to keep pouring a small country’s GDP into making more seasons, I’ll happily keep watching—and shouting about it.

Your October Obsession (and Nightmare Decor Inspo)

So, I am happy to announce the 2nd season of Netflix’s Monster series about real life, scary guys committing some of the most heinous crimes based on our worst possible nightmares. The 1st season was all about the Menendez brothers; the 2nd season, premiering October 3rd, is all about Ed Gein. Eeek.

If the name, Ed Gein, rings a bell, it’s because he is basically the “starter pack” for horror villains. Psycho, The Texas Chainsaw Massacre, Silence of the Lambs? Yeah, all inspired by this “friendly Wisconsin recluse” who had a nasty little habit of making furniture out of… people. Martha Stewart, but make it macabre.

Charlie Hunnam (aka biker heartthrob Jax from Sons of Anarchy) slips into Gein’s eerie cardigans, backed by a cast stacked like a haunted Hollywood dinner party: Laurie Metcalf, Tom Hollander, Lesley Manville, Olivia Williams, and more. Ryan Murphy and Ian Brennan are once again stirring the cauldron, following their Dahmer and Menendez installments.

But here’s the twist: this season isn’t about buckets of gore—it’s about psychology. Murphy teases a deeper dive into Gein’s undiagnosed schizophrenia, toxic upbringing, and the eternal debate: are monsters born, or made? Either way, the guy definitely wasn’t born with a Pottery Barn catalog in hand.

Set against the frosty backdrop of 1950s Wisconsin, the series blends true-crime dread with eerie Americana. Eight episodes drop all at once, meaning your Halloween binge is locked and loaded. Just… maybe don’t redecorate afterward.

So, whether you’re here for Hunnam’s unsettling glow-up, a fresh spin on true crime, or simply to remind yourself why Wisconsin barns are terrifying, Monster: The Ed Gein Story is your October must-watch.

Warning: side effects may include Googling “vintage furniture” with regret. Sooooo, mark the date 🙂

Mean Girls, but with catchy Church moments… Oh, yeah. . .

So, today I wanted to share with you one of my favorite movies… Most people don’t know that I actually went to a Christian private school for about 4 years from 7th grade to 11th grade and it was traumatizing. FOR REAL. I still have nightmares about that school, the administrators, and the so-called really super-duper Christian students. Yeah… have you ever heard the saying about the minister’s son is the worst… It’s true…

So yeah, for whatever twisted ass reason, I loved Saved! because, thank you dear Jesus, after revealing the hypocrisy that is Christian education, I came out remotely unscathed. Well, that’s all you’re going to hear for now from me….. There’s more to that story but, best for my autobiography……

ANYWAY, let’s rewind to the early 2000s, when Mandy Moore was the reigning queen of wholesome pop anthems, Jena Malone was the indie darling of every misunderstood teen, and Macaulay Culkin (yep, that Culkin—of “AHHH!” face fame from Home Alone) was resurfacing in roles that were edgier, weirder, and absolutely delightful. Out of this unlikely combo came Saved!—a teen comedy so drenched in ironic piety that it feels like Tina Fey secretly wrote it after binge-reading the Left Behind series.

Here’s the elevator pitch: Saved! is basically Mean Girls, but instead of the Plastics terrorizing high school hallways with designer pink cardigans, you’ve got Christian mean girls armed with purity rings, devotional planners, and the occasional exorcism attempt. The setting is American Eagle Christian High School (yes, it’s exactly as over-the-top as it sounds), where teenagers juggle faith, hormones, and peer pressure while also trying not to flunk gym class.

Jena Malone plays Mary, the good Christian girl who’s as devout as she is earnest. Her world is flipped when her boyfriend comes out as gay. After a dramatic vision (involving Jesus, a pool, and more awkwardness than a youth group icebreaker), Mary does what any confused teen with a WWJD bracelet might do: she sleeps with him, believing it’s her God-given mission to “cure” him. Spoiler alert: it doesn’t work. What it does do is leave her pregnant, scared, and slowly ostracized by the holier-than-thou clique led by Hilary Faye, played with maniacal, scripture-wielding energy by Mandy Moore.

Hilary Faye is Regina George in a cross necklace—ruthless, manipulative, and ready to turn prayer circles into power plays. Moore is hysterical in this role, turning every line into a sanctimonious dagger. She flings Bible verses like ninja stars, and her favorite pastime seems to be public shaming disguised as divine intervention. If Regina George handed out burn books, Hilary Faye hands out judgment in the name of Jesus. Both are terrifying. Both are iconic.

And then there’s Roland (Macaulay Culkin), Hilary Faye’s wheelchair-using brother, who teams up with Cassandra (Eva Amurri), the school’s lone Jewish rebel, to form the unlikely, irreverent duo of the film. Roland and Cassandra basically serve as the Statler and Waldorf of this Christian circus—mocking, scheming, and reminding us that satire doesn’t always need a pulpit, just a well-timed smirk.

The genius of Saved! is that it walks this razor-thin line between parody and genuine heart. It’s hilarious watching Hilary Faye stage an intervention by pelting Mary with a Bible, yelling, “I am filled with Christ’s love!” But in the middle of the absurdity, the movie actually pokes at big, important questions: What does it mean to believe? Where’s the line between faith and fanaticism? And how do you fit into a community that preaches acceptance but practices exclusion?

Like Mean Girls, the comedy is sharp because it’s rooted in truth. Instead of cafeteria tables divided by cliques, we get Christian rock bands, virginity pledges, and pastor pep rallies. Instead of “on Wednesdays we wear pink,” it’s “on Sundays we shame sinners.” But the social dynamics are identical: the desire to belong, the fear of rejection, the cruelty masked as concern.

And yet, unlike a lot of teen comedies of that era, Saved! isn’t just snark. Jena Malone gives Mary real depth, showing us the pain and confusion of someone trying to reconcile her personal choices with the rules she’s been taught her whole life. Mandy Moore’s Hilary Faye is a villain, sure, but she’s also the product of a system that teaches young people to wield religion like a weapon. Even Macaulay Culkin, mostly quipping from his wheelchair, slips in moments of tenderness that remind you there’s a real person under the sarcasm.

By the time the film builds to its climax—Mary going into labor at prom, Hilary Faye’s hypocrisy exposed, and everyone crammed into the back of an ambulance—you realize the movie has done something sneaky. It’s made you laugh at the absurdities of Christian high school politics, but it’s also made you care about these characters. And that’s why it holds up nearly two decades later: it’s not just parody, it’s empathy in disguise.

If Mean Girls gave us “you can’t sit with us,” Saved! gave us “you can’t pray with us.” And honestly, both belong in the teen comedy hall of fame. The movie may be campy, it may be irreverent, but it never punches down. Instead, it lovingly skewers the world it’s set in while still letting its characters grow beyond stereotypes.

So if you’ve ever wondered what would happen if Regina George got baptized, armed herself with a Bible, and declared spiritual war on anyone who dared oppose her—Saved! is your answer. It’s hilarious, it’s biting, and beneath the satire, it’s surprisingly sweet.

Final verdict: Saved! is a heavenly comedy with a devilish sense of humor. Think Mean Girls, but with altar calls, cross jewelry, and a lot more Bible-throwing, which is detrimental to your health in more ways than one.

If you’re looking for something to watch this weekend then I strongly suggest the documentary, Hurricane Katrina: Race Against Time on Hulu…. There’s also another documentary about Hurricane Katrina that will premiere tomorrow, 8/27/2025, called, Katrina: Come Hell and High Water. I’ll watch that one as well…..

It’s hard to believe that we are almost at the 20 year anniversary of this devastating hurricane. The Hulu documentary is so good on SO many different levels… I love that it is in your face about the economic disparities that the majority of this city faced when trying to evacuate and how social reform was so needed to prevent such catastrophic loss in life/ property for future natural disasters. “It’s not about protecting stuff, but protecting and helping the people.”

There’s still so much more that can be done to help such communities because being a lifelong Southerner, poverty is quite the staple for the majority of us. Being told to evacuate is nice and all, but if you don’t have the money/resources to do so then what good does it do you?

I remember watching the TV regarding Hurricane Katrina because I had family that lived there at the time back in 2005 (Lakeview; they were able to evacuate, thank God). I distinctly remember thinking, “New Orleans is gone. This city is no more…they can’t come back from this….how??! It’s uninhabitable.”

Thank God the people of this city proved me wrong. That goes to show what resilience truly means…..

I like fast cars……

So I splurged a little bit in my laziness at home on my sofa and paid money to stream the new F1: The Movie with Brad Pitt. *sigh*

I definitely have the need for speed. If there’s a race car movie I’m down for it. Anytime. I’m born and raised in Florida and yes I’ve been to Daytona Speedway and IT. IS. AMAZING, YES…….. When creating a movie funded by millions of dollars, which goes towards the salaries of some of the hottest celebrity guys on this planet into that equation, well, yeah, that’s makes racing even better. LOL

Within 15 minutes of the movie starting I was like, “oh my dear Jesus, wth”. However, it pulled me in….

So, the first issue going into this movie was that I didn’t see Brad Pitt as this Formula 1 race car driver, Sonny Hayes. I guess I’m just not used to seeing him in these types of roles & I tend to expect Tom Cruise. I don’t like Tom Cruise.

Anyway, Brad Pitt in this role took a little bit of getting used too. I was wrong, btw; Brad Pitt is awesome in this movie.

The second thing worth pointing out is the fact that Sonny Hayes’ (aka Brad Pitt) teammate/nemesis, so to speak, is played by Damson Idris, who also played Franklin, in the TV series Snowfall on FX….. I love Franklin and I support that he made his livelihood from creating/making crack cocaine, LOL!! SO, I was rooting for him. . .

Javier Bardem is in this movie (thank you JEEZUS); he made me smile, happy, all the feels, as soon as I saw him & in my opinion he made the movie; he’s the cat’s meow. It’s like that famous SNL skit where Christopher Walken and Will Ferrell are playing in this band and one of them says, “what we need is more cowbell” ….. Well, what this movie needed was more Javier Bardem.

Overall, the movie is great. The cars are amazing and the movie lived up to all the hype! Check it out & let me know what you think 😉

Julia Garner is reason enough for me to go see Weapons.…

Trust me when I tell you, Julia Garner should be enough of a reason for you to go see this movie as well in the theater.

In case you don’t know who I’m talking about, Julia Garner played Ruth in Ozark and did a phenomenal job. Like that’s not ENOUGH accolades, she also starred in the prequel to Rosemary’s Baby in Apartment 7A & killed it….

There are some movies you can wait to watch at home, streaming from the comfort of your living room without the hefty price tag to go along with it, AND other movies you just have to go see at the theater, on the big screen, so you get the full effect…..

Well, don’t wait to stream Weapons… My ‘spidey-sense’ is going off on this one big time & I trust my instincts wholeheartedly when it comes to ‘what to watch’….

The reviews for Weapons are insane btw & if I can drag my lazy butt out of my house, to the theater, on my child-free day, after a long day at work, THEN YOU CAN TOO.

BUT, I’m going solo because I have a feeling I’m going to be calling out (well hopefully, just maybe, internalizing rather) anticipated plot twists, etc. and potentially spoiling it for people in the general vicinity of where I’m sitting.

So, GO SEE WEAPONS. Not with me though…

Do it!!!

Maybe DON’T ride this train (sorry Quad City DJ’s)…………

So, to keep it weird and random, I’m going to start off by saying I’ve always wanted to ride a train. Yes, like a choo- choo train …. I have visited New York City (family) and London (in my youth singing) and traveled via the subway trains in these locations. . . I’M talking about a REAL train, like Alfred Hitchcock’s nostalgia, “Let’s go visit Grandma and take the train, maybe take a nap and chill in our own little cabin.”

Being a narcoleptic I think it would be a good nap. Yes, I think about things like that, on a grading scale…. A nap on a train, hmmm, in a private cabin….hmmmm, with my luggage nestled safely with me…..hmmmmmm… AND snuggly/fuzzy blankets that smell good & maybe warm chocolate chip cookies, fresh out of that train’s oven…… Sounds magnifique (💋)!! But I digress…(quite a bit, I’m sorry!)

Train to Busan is not that leisurely, ‘let’s go visit grandma’ train ride. It’s a moving disaster of epic proportions and I love that. It’s the best zombie movie I’ve ever seen and I don’t like to READ my movies (generally), BUT I will make allowances for this bomb-diggity story line from Korea. It’s intense… If you fall asleep during this movie, you might be a narcoleptic like me. I stay awake because it’s terrifying and you should too.

These zombies are not slow. They’re coming for you, like YOU are those warm delicious chocolate chip cookies. It’s literally Darwin’s ‘Survival of the Fittest’ come to life. AND I’m all about it… You can watch this movie on Netflix, btw.

P.S. : The sequel Peninsula is good, but in a different way, more like World War Z kind of good. . . That’s also on Netflix.

Let me know what you think! Like/ Share/Comment 🙂

I’m about fed up with these streaming platforms: Netflix, Hulu, Amazon Prime, HBO Max, Apple TV…. I pay $17+ per month for most of these streaming services, but guess what…. There’s nothing of interest to watch….

ATTENTION ALL: I don’t want to watch your crap from India with horrid, incorrect subtitles and/or mismatched lips/synch…. Or your rejects from 3 years ago that you just decided to dust off the bookshelf and throw out and categorize it as “NEW”.

WTH. You are all just being greedy and,

I’m about ready to lead a boycott. . .

Crime/Drama (TV Show/Series)

1. Breaking Bad – Unless you live under a rock, then you probably know all about Mr. Walter White. A mild-mannered chemistry teacher turns meth kingpin when cancer bills meet cartel chaos. Armed with a science brain and a fedora, Walter White spirals from desperate dad to ruthless legend. Explosions, betrayals, and blue crystals prove one thing: chemistry isn’t just about reactions—it’s about transformation, baby.

• Ozark – Jason Bateman plays a money-laundering accountant drags his family to the Ozarks, where lakeside cabins hide cartel secrets and suburban stress. Crime and PTA meetings collide as the Byrdes juggle business, betrayal, and bodies. It’s small-town America with a deadly twist—where fortune favors the bold, but mistakes cost everything. This show also introduced me to Julia Garner (Ruth), whom is AMAZING in everything she does….

• Extremely Wicked, Shockingly Evil & Vile – I had know idea that Zac Effron could play dark, but he killed it (haha, nice pun, eh?) Ted Bundy through the eyes of his girlfriend: handsome, charming, and hiding monsters behind a smile. This chilling retelling blurs charisma with cruelty, showing how evil often looks ordinary. Courtrooms, confessions, and manipulation unfold in a true-crime thriller that’s equal parts captivating and stomach-turning.

• Killing Eve – This show introduced me to the amazing Jodie Comer and I am telling you that anything she is in she is ‘da BOMB!!! Anyway the premise is, an MI6 agent becomes obsessed with a stylish assassin, and the feeling is… mutual. Their cat-and-mouse chase turns flirty, bloody, and delightfully twisted across Europe. Think espionage with couture and cheeky banter, where obsession fuels chaos and every encounter feels like a dangerously glamorous game.

• Dirty John – A true-crime cautionary tale: a charming man sweeps a successful woman off her feet—only to reveal sinister lies, manipulation, and deadly intent. Love turns toxic, families fracture, and obsession spirals out of control. It’s romance gone rotten, proving not every prince is worth kissing.

So, what do you think of my favorite scary shows on Netflix? Do you have any to recommend that I have forgotten? Like, Share, Comment below!

Horror/Suspense (TV Show/Series)

• Stranger Things – In Hawkins, Indiana, bikes outrun monsters, kids battle telekinetic chaos, and waffles fuel a telepathic queen. Government labs spill secrets, friendships get tested, and the Upside Down won’t stop calling. It’s nostalgia, neon, and nightmare fuel rolled into one supernatural mixtape of sci-fi, horror, and heart.

• The Haunting of Hill House – A family grows up inside the creepiest Airbnb imaginable, where the rent is fear and ghosts lurk in every corner. Past trauma collides with present dread as siblings confront the house that shaped—and shattered—them. It’s gothic, heartbreaking, and hair-raising all in one perfectly haunted package.

• The Fall of the House of Usher – Imagine Succession but goth: a powerful family, dripping in wealth and rot, haunted by secrets darker than velvet curtains. One by one, the heirs fall in twisted, horrifying ways. Edgar Allan Poe meets Netflix binge—a blood-soaked morality tale that’s equal parts creepy, tragic, and deliciously stylish.

• The Haunting of Bly Manor – A gothic love story disguised as a ghost tale. An au pair moves into a misty manor, but kids aren’t the creepiest thing here. Love, memory, and grief tangle with spectral figures, blurring who’s alive, who’s dead, and who’s holding on too tightly. It’s hauntingly beautiful heartbreak.

• Midnight Mass – An island parish gets a shiny new priest with charisma, charm, and… a terrifying secret. Faith, miracles, and horror collide as the devout learn salvation sometimes bites back—literally. A slow-burn of dread, beauty, and bloody communion, where belief becomes the deadliest addiction of all.

So, what do you think of my favorite scary shows on Netflix? Do you have any to recommend that I have forgotten? Like, Share, Comment below!

It’s a killer good time……..

Over the weekend I finally carved out some time (pun intended) to check out Dexter: Resurrection. And let me just say—having Michael C. Hall back on my screen feels like a warm, slightly murderous hug. He doesn’t just make the show; he is the show. Always has been, always will be.

So here’s the gist, without me ruining every twist (though I’m notoriously bad at that): if you caught Dexter: New Blood, you’ll remember Harrison stumbling upon his dear ol’ dad living undercover in Alaska as mild-mannered Jim Lindsay. Life seemed quiet—until Harrison showed up, complete with his own Dark Passenger. Cue father-son bonding, murder-code tutorials, and… Harrison being a total pain in the butt. (Whiny, reckless, chaos incarnate—you get the idea.)

Fast-forward: Harrison eventually shoots Dexter. Yup. Shoots him. Then bails to NYC, leaving Dexter to bleed out in the snow like last week’s leftovers. Cold, literally. But surprise! Dexter didn’t die. Ten weeks in a coma later—boom—he’s back. Enter Dexter: Resurrection.

Now, he’s chasing Harrison to New York while dodging an increasingly suspicious Det. Batista. Meanwhile, NYC is apparently big enough for two Dark Passengers, because someone’s out there stealing Dexter’s nickname. Rude. Naturally, Dexter does what he does best: sharpen his tools, slip into vigilante mode, and get to work.

Bonus points for Peter Dinklage and Uma Thurman, whose dinner party chaos is almost as delicious as the kills. I won’t say more (see, I can stop myself).

Bottom line? I’m seriously digging Dexter: Resurrection. It’s tense, bloody, funny in that dark Dexter way, and feels like slipping back into a very twisted comfort show. Definitely worth your time—it’s killer. (Yeah, I went there.) Let me know what YOU think!

All right so let’s just break down the hype… Netflix has their top 10 up (movies/tv shows). No one really cares about their movies as of late, because well, let’s just be honest, they’re not putting out new movies on Netflix that are good. Lately, Netflix’s movies are rinse and repeat movies, Hallmark-channel worthy, so we’re going to just deep dive into the TV shows. Let’s just do it. HERE WE GO!

Netflix TV Top #10 TV Shows in the US:

#1 on Netflix TV Shows is Fit for TV:The Reality of the Biggest Loser – I watched this last night. It was actually really good. I used to watch The Biggest Loser back in the day, but I had no actual concrete idea of the crap that went down in the background though. Maybe I did suspect shadiness, but you know how that is… You don’t like to think about it. You just enjoy the TV.

#2 on Netflix TV Shows is Wednesday – as my parents used to say, I’m a weird duck. Covid helped solidify the weirdness. I’m not going to watch something if you post it in halves. That’s just wrong. So yes, I know that the 2nd Season of Wednesday has come out, but I’m not going to watch it till the 2nd half comes out as well. I’m sure it’s amazing, but I’ll wait. I’m stubborn. I’m forgetful. I’ll wait.

#3 on Netflix TV Shows is The Hunting Wives – already posted a review about this TV show and it has every right to be #3!

#4 on Netflix TV Shows is Sullivan’s Crossing – sorry, but I know me and I’m just not going to watch this crap.

#5 on Netflix TV Shows is Untamed – so I have to say a good friend of mine, who is also my neighbor, recommended this show to me. I have a huge crush on Sam Neill 🤤and he did not disappoint in the series. However, the plot fell through for me on episode 5 (out of 6) and I couldn’t conclude the series. It could have been more well written…

#6 on Netflix TV Shows is Perfect Match – I’m 47 years old. I’ve been married twice and I officially don’t give a crap… I’m not going to watch this show. I’m just going to say to all those amazing 20/30-year-olds out there looking for love…this is not how you find it.

#7 on Netflix TV Shows is Jim Jefferies Two Limb Policy – I feel like I might lose brain cells just for watching and/or reviewing this TV show and I’m just not going to do it. It looks dumb. Maybe you’ll like it, obviously there’s an audience for it, but if you want to watch a comedian how about you watch Chelsea Handler or Dave Chappelle…They’re surefire winners. Everyone else is trash in my book, lol. Just, my opinion, though.

#8 on Netflix TV Shows is Love is Blind UK – All right. I’m going to have a little rant right now… WTF is wrong with people? Why are you watching TV shows about love and oh, ‘let’s go put on blindfolds & date someone’, that seems really unsafe. AND this is the UK version, not even the USA. Hopefully us Americans know this is just ridiculous and that’s maybe the reason the UK version is in the charts, but I don’t know…. To the people that watch this crap and have made it #8, wth is wrong with you?  Why don’t you just get out in the real world and find somebody, talk to people in the real world …. I DON’T CARE really…. BUT, why are you sitting at home watching this crap instead? Sorry, my rant is over, lol!

#9 on Netflix TV Shows is Leanne – This might be an amazing show, but I’m just not going to friggin watch it. I don’t like The Big Bang Theory. I don’t like Friends. or The Office. I, in general, don’t like sitcoms, unless we’re talking about the Golden Girls, Seinfeld or Alf, so I’m not going to watch this crap.

#10 on Netflix TV Shows is Amy Bradley’s Missing -. I actually watched this a couple weeks back and it was really intriguing to me and I love documentaries in general so I advise everyone to watch this if this is your thing (like me).

What do you think? Do you have something to recommend? Like, share, comment…. Let me hear from you! ♥️♥️

Adventure/Survival

As promised, today I will be listing off my top 10 TV Shows/Series in the genre of Adventure/Survival. Some of these series/shows will also make other genre lists, such as for science fiction or horror…. Let me know what you think and if you have any that should have made the list!

• #1 goes to Alone (History Channel)…..Alone drops survivalists into remote, unforgiving wilderness with no help, limited gear, and harsh conditions. Facing isolation, hunger, and predators, they must endure longer than others to win a life-changing cash prize, testing resilience, skill, and mental strength. This show makes Naked & Afraid look like a cake walk….!
• #2 goes to Expedition Unknown (Discovery Channel)…..Expedition Unknown follows explorer Josh Gates as he journeys across the globe investigating history’s greatest mysteries, lost treasures, and legendary stories, blending adventure, archaeology, and humor while uncovering fascinating truths and thrilling discoveries in some of the world’s most remote locations.
• #3 goes to Fallout (Amazon Prime)…..Fallout is set in a post-apocalyptic world decades after nuclear war, following survivors from starkly different backgrounds—Vault dwellers, scavengers, and power-armored warriors—as they navigate brutal wastelands, dangerous factions, and bizarre remnants of a ruined America in search of survival. The show is based off of the Bethesda video game series of the same name (my #1 favorite video game, btw).
• #4 goes to Yellowjackets (Showtime)…..Yellowjackets tells the story of a high school girls’ soccer team stranded in the wilderness after a plane crash, revealing their descent into primal survival and the haunting consequences that resurface decades later, intertwining past horrors with present-day mysteries.
• #5 goes to Naked & Afraid (HBO/Max)…..Naked and Afraid pairs strangers who must survive 21 days in extreme wilderness without food, water, or clothing, relying solely on skills, resilience, and teamwork to endure. There are different variations of the show, such as XL (40 day), Alone (one survivalist only), Last One Standing (competition amongst multiple survivalists for cash prize), Apocalypse, etc.
• #6 goes to The Last of Us (HBO/Max)…..The Last of Us follows Joel, a hardened survivor, and Ellie, a teenage girl immune to a deadly fungal plague, as they journey across a ravaged America, facing brutal infected creatures, dangerous human factions, and the emotional cost of survival. Based on one of my favorite video games of the same name.
• #7 goes to Silo (Apple TV)….Silo unfolds in a massive underground bunker where humanity survives after Earth’s surface becomes toxic. Secrets, lies, and hidden histories emerge as one resident questions the rules, uncovering dangerous truths that could shatter their fragile, tightly controlled society forever.
• #8 goes to Lost (Netflix/Hulu)…..Lost follows plane crash survivors stranded on a mysterious island, confronting supernatural forces, hidden threats, and their intertwined pasts while struggling to survive and uncover the island’s secrets. I’ve rewatched this series three times and always discover something new!
• #9 goes to The Wilds (Amazon Prime)…..The Wilds follows a group of teen girls stranded on a deserted island after a plane crash, unaware they’re subjects of a secret social experiment, blending survival drama with mystery as past traumas and hidden truths slowly unravel.
• #10 goes to Squid Games (Netflix)…..I know you might be questioning my categorization of Squid Games as adventure/survival, but the contestants are literally playing nostalgic games from their childhood, in order to survive (and ultimately win a cash prize)! I loved the 1st Season, liked the 2nd Season & couldn’t get into the 3rd Season though 😦
  

🔥A Hot Mess in the Best Way🔥

Okay, so Naked and Afraid: Apocalypse is officially THAT survival show. Four squads, each made up of three seasoned survivalists (a.k.a. the kind of people who look at a snake and think “snack”), get dropped butt-naked in a completely scorched part of Africa. This place? Once full of farms and mining ops, now a crispy, abandoned wasteland thanks to droughts and wildfires. Sounds cozy, right?

Each team starts with the basics: a firestarter, a pot, and a map (because GPS is for quitters). Then they each get to pick one personal survival tool. Choose wisely, bestie — it’s giving “Hunger Games: DIY Edition.”

But here’s the twist that makes this season slap: they’ve gotta scavenge through old ghost towns and burnt-out buildings like post-apocalyptic raccoons. Abandoned cars? Tin roofs? Trash turned treasure, baby. The way these contestants transform ruins into livable camps? Literal art. Martha Stewart could never.

Now let’s be real — not all of them are cut from survival cloth. Some are definitely carrying the team emotionally (and dragging them physically). Weak links? Yup. Drama? Double yup. A**holes? Oh, they came free with the flint.

And Mother Nature? She’s not playing either. We’re talking lions, crocs, and even a thicc bull elephant rolling through like, “Whatchu doin’ on my turf?” The wildlife is just as desperate to survive, and it shows. Then there’s the human struggle: eye impalements (!!!), heatstroke, non-stop puking. Basically, this show said, “Let’s crank the pain and vibes to 100.”

Now, maybe I’m unwell, but every time I watch this chaos, I’m like, “I could totally do this.” But then I remember I’d probably injure myself trying to open a coconut or trip over my own bare foot. It’s not the nudity, it’s the sheer dumb stuff I’d do on camera.

That said… if they ever make a scaled-down version — like Naked & Slightly Afraid: Beginners Edition or a spin-off for people who love scavenging, repurposing, and playing Mad Max with junk — SIGN. ME. UP. I’m ready with duct tape and delusion.

The year is 2120. The crew of the USCSS Maginot wakes from cryosleep, and immediately I’m hit with déjà vu in the best way possible. The dining hall scene looks exactly like the original Alien movies—same lighting, same gritty filter, same claustrophobic vibe. That attention to detail? Chef’s kiss. Oh, and by the way… they’re also keeping multiple variations of the alien species in little glass enclosures for study. Totally safe. Sure.

Meanwhile, we jump to Prodigy Research Island—ominously nicknamed “Neverland.” And wow… the science here is off the rails. Within 12 minutes, they’re ready to transfer a terminally ill girl named Wendy into a synthetic body to cure her cancer. Not long after, more terminal kids arrive with the same plan. One small catch: they’re putting kids into adult bodies. What could possibly go wrong? (we shall see…)

The show flips between the increasingly dicey situations aboard the Maginot and the ethically questionable experiments on Neverland, setting up the season’s core conflict. Bonus twist: the Maginot is on a collision course with Earth.

I especially loved the Earth-based scenes, but I have questions. These new synthetics? They think they’re X-Men. And somewhere along the way, we apparently reverted back to analog tech and MS-DOS computers. Future selves—don’t do that.

That’s all I’ll say for now—no major spoilers here. But trust me, if you’re a fan of Alien lore with a fresh, bizarre twist, Alien: Earth is worth checking out… just maybe don’t get too attached to anyone.

It’s a Southern thang…….

Lately, Netflix and I have been in a bit of a dry spell. Nothing new has really grabbed me, so I’ve been rewatching old flames like How to Get Away with Murder and This Is Us.

Then I spotted The Hunting Wives climbing the Top 10 list and thought, “Alright, Netflix, show me something.” And wow—did it deliver. This show is a total do-not-fold-laundry-while-watching situation. We’re talking nudity, smoking, mystery, murder, hunting, violence, and enough Southern swearing to make your meemaw blush. Absolutely not for the faint of heart… and I loved every messy, decadent second.

The story centers on Sophie (Brittany Snow), who trades Massachusetts for Texas to support her husband’s career move. Enter Margo (Malin Akerman), the boss’s magnetic wife who sweeps Sophie into a dazzlingly chaotic social circle. These women are gorgeous disasters—dangerously charming, morally questionable, and hell-bent on dragging Sophie into their high-stakes drama. Boundaries? Never heard of them.

Think Mean Girls all grown up, trading pink for camouflage and martinis for rifles—plus a generous dose of scandal and murder. If you’re craving a twisty, addictive binge with big personalities, bigger secrets, and unapologetic Southern sass, The Hunting Wives deserves a spot at the top of your watchlist.

Where was Jeff Goldblum…….? 😦

Streaming Jurassic World: Rebirth from the comfort of my couch on Amazon Prime was a full-on visual buffet (served at premium price, naturally). The CGI? Chef’s kiss. The special effects? Flawless. And those new hybrid, genetically engineered dinos? Absolute stunners—equal parts nightmare fuel and runway-ready elegance. Basically, every dino nerd’s dream.

What really surprised me was the plot. This isn’t your basic “everyone run from the T. rex” rinse-and-repeat. Nope. The whole story revolves around hunting down three specific dinosaur species to make a miracle pill that could cure heart disease and other major illnesses. It’s part sci-fi, part bioethics lecture, and somehow, it works.

Scarlett Johansson commands the screen with her mix of charm, grit, and just enough emotional depth to keep you hooked amid the prehistoric chaos. Sure, I didn’t vibe with every character, but Johansson + dinosaurs = me, invested. And listen… if Jeff Goldblum had wandered in? We’d be talking instant 10/10.

Bottom line: Rebirth is a wild, gorgeous, and surprisingly thoughtful chapter in the Jurassic saga. It’s got fresh ideas, ethical dilemmas, and enough jaw-snapping action to keep you on the edge of your couch. If you’re into bold twists, big teeth, and even bigger questions, queue this one up.

Bigger boats are DEFINITELY a good thing….

Watching Jaws @ 50: The Definitive Inside Story left me floored by the sheer brainpower, ingenuity, and borderline stubborn determination that went into making Jaws back in 1975. The research. The innovation. The problem-solving. The “we’re doing this, even if it kills us” energy.

And honestly? Too many movies today just… don’t have that. Sure, there are exceptions, but Jaws was lightning in a bottle—one of those rare, era-defining masterpieces. The same can be said for Star Wars, Alien, Psycho, Titanic, and Jurassic Park. But more often than not, modern blockbusters feel like they’re piggybacking on the creativity of their genre’s pioneers.

I get it—you can’t always predict when you’re making a masterpiece. But you can tell when you’re phoning it in. As the saying goes: “You get out what you put in.” And lately, Hollywood feels like it’s in a sprint—maximizing profits with the biggest stars, the biggest budgets, and the fastest production timelines, without leaving room for originality or, dare I say, magnificence.

Thankfully, there’s always that one rebel—the director, producer, or writer who dares to step over the safety line, ruffle feathers, and try something truly new. That’s the spirit that made Jaws… well, Jaws.

So here’s my plea: to whoever’s brave enough to break the mold—kudos to you. I’m anxiously awaiting your next masterpiece. Just make sure it’s big enough to scare us out of the water all over again.

Why Are We Putting Dead Things in Cars……?

I was hyped for Death of a Unicorn. I mean — Paul Rudd, Jenna Ortega, A24, and mythical murder? Yes, please. But within the first ten minutes, we get the scene. They “accidentally” turn a unicorn into roadkill (sorry, spoiler, but it’s literally the title), and then—without blinking—they load it into the back of their car like it’s a perfectly normal Tuesday.

Excuse me… is this a thing? Because I grew up in Florida. We’ve got swamps, gators, and some questionable backwoods areas, but I can honestly say I’ve never tossed a dead anything into my trunk. Maybe I just haven’t hit anything “legendary” enough (apologies to the countless squirrels, raccoons, armadillos, and possums in my past). But still—Hollywood, who told you this was normal?

Also, producers… where are you from? Because that unicorn? Way too much like an emo elk. Just saying. Not trying to criticize—okay, I am—but somebody needs to hear it. And also: please don’t encourage people to load “dead” wild animals into their cars. Newsflash: sometimes they’re not dead. I have stories. Southern people have stories. None of them end well.

Beyond that, the movie is chaotic fun, satirical, and occasionally bonkers—in both good and bad ways. But me? I’m side-eyeing the whole “car-corpse” subplot. Unicorn or not, y’all can keep that in the movies.